Erika Roux is a visual artist and filmmaker. Her work looks at situations and social spaces, which – by their own existence and action – challenge us in the way we perform, produce, and live together. Filmmaking and (script) writing become a process of encounter. Inherent to Erika’s work is the continuous concern of ethic and language of representation. With such questions as “how to represent the specificities of the other within the questionable power structure of art making?” she develops experimental forms of observing, narrating and collaborating. Her work then often navigates between the critical potential of fiction and re-enactment and the complications present in documentary material, while her position is directly or indirectly exposed.
Besides her individual artistic practice, she currently co-runs WET, a video art collective based in Rotterdam and is project manager at A Tale of A Tub, Rotterdam.
The Suggestive Body
The suggestive body looks at the body and physicality from an experience-based perspective and from personal lived reality. The exhibition takes embodiment as a doorway to issues and proposals relating to interactions and situations that a body can be exposed to.
The Brain Mixologist
The Brain Mixologist is an exhibition that plays around the languages of the body that unfold metalinguistic narratives or knowledges of oppressed mother-tongues that still resonate through sensuality, ritualistic practices and haptic encounters. Phantoms that move back and forth, from body to body, as socio-political gestures of other worldviews.
Communal Luxury
Communal Luxury is a three day intensive workshop, which asks the question: what would truly collaborative filmmaking look like? We will draw on Kristin Ross’ book Communal Luxury, an account of the affective texture, revolutionary praxis, and contemporary relevance of the Paris Commune of 1871.
Everything is in Everything
Puissance-de-ne-pas
The exhibition Puissance-de-ne-pas is not so much a refusal of what featured artists Erika Roux and Victor Santamarina describe as ‘the imperative impulse of determination’, the ever-accelerating forces that prod us to be like zeros and ones. Rather than merely saying nay, the works on display turn their focus on their own becoming. They are finished, they are as they should be, yet at the same time, they reveal a potential-not-to-be, or be otherwise.
Jan van Eyck Academie
The Jan van Eyck Academie is committed to exploring the agency, roles, and civic significance of art, design and other creative practices in relation to the climate crisis, environmental breakdown, and their manifold effects. This institutional focus opens up a wide discourse and creates a framework that embraces a diversity of practices and allows for a multitude of voices.