I am a movement artist who works with expanded choreography as a medium.
As an artist, I aim to create vocabularies that entail a transdisciplinary language.
My practice relays on principles like collaboration, experimentation and translation.
My research revolves around the sensorial experience of space as a means to activate philosophical and epistemological knowledge.
In my artworks, I build ephemeral questions that unfold the physical relationship between the inner body and outer space. I play, invert, twist and stretch that relationship.
My artworks fall into diverse categories of art media like site-specific movement performances, choreographic DJ sets, installations, choreographic films and booklets.
My work resonates with thematics like the underpinning violence that endure the functioning of Western societies.
That theme often unfolds in my pieces through the visual juxtaposition of the vulnerable, ephemeral and malleable nature of the human body with the robust, lasting and rigid nature of architectural structures.
Invisible dances for everyday survivors
Invisible dances for everyday survivors is the result from collaboration between 4 artists with different backgrounds and practices, such as choreography, music composition and visual art. Throughout accesible scores, stories, illustartions and games, this booklet invites us to connect in surprising and unreasonable ways to ourselves, others, and the space around us.
Earthrise at Om, Ohm, Omega exhibition
Earthrise is a site-specific performance that flourished from the collaboration between the artists Marta Wörner and Gabriel Lester.
Earthrise unfolds as a physical misinterpretation of gravity. It is inspired by the tensional game between forces displayed by the architecture of the Electriciteitsfabriek.
Strata
Strata is a physical reflection on the means, strengths and paradoxes of inhabiting a common delimited space with shared rules, a critical ode to unity. The piece is influenced by the study of the Schuman Declaration in 1950, the breeding ground for the creation of the European Coal and Steel Community, Europe's first supranational Community.
Falling in, notes on body, space and matter
Falling in. Notes on body, space and matter is an interdisciplinary performance that takes place in between a mobile visual installation, two dancers, one hostess, and the audience.
It is a site-specific artwork in which the textures, architecture and soundscape are used to deconstruct our cognitive experience of the performative space and play with its boundaries.
The work emerged from the practice-led research 'Between control and uncertainity' (2017-2019)