Clem Edwards works between sculpture and language, and is currently focussed on European hardware and ornamentation. Their practice brings into conversation the possibility of the glittering dream castle and the deep knowing that the Disney story can’t exist without the labour, gender and land conditions that produced it. How to honour, remember and enchant the worlds that we are immersed in, and the contexts that shape us, nourish us and resist us?
Their ongoing research line is material kinship, which thinks material beyond extraction and kinship beyond the biological family. It is the subject of The Material Kinship Reader, which they co-edited with Kris Dittel in 2022 and republished in 2025. clementineedwards.com. Profile image by Nick Thomas & Marta Hryniuk, 2024
Tracing Material Kinship: Fossilised Lives, Queer Plastics & Jewellery Magic
A Monday night lecture
To That Special Someone (Part II)
The short film whiteness is a preliminary sketch about the white everyday. Tender scenes of comfort are placed in relation to Black critical theory to explore the idea of safety in white supremacist civil society. The film sets out to complicate its atmosphere of solitary intimacy by proposing that one cannot understand oneself if that understanding occurs within the assumption of the absolute fact of individual subjectivity.
Material Motel
Two person seed drop mini drama exhibition. A material snapshot of the gentrifying neighborhood Wielewaal.
Material Kinship Genealogies
Curated by Dagmar Bosma
Sweetheart
Text by Ada M Patterson here: https://www.mistermotley.nl/art-everyday-life/dingen-without-dood
Femke Hears a Who
A two-person film and installation. Watch the movie below.
Law of the Instrument
Film and installation. Watch an extract of the movie below.