Gil & Moti

sociaal-maatschappelijk , cross-over , Conceptueel , Community , Autobiografisch , Audiovisueel , Artistiek onderzoek

From the moment we created the duo Gil & Moti, in 1998, we have explored the notion of individuality and questioned forms and norms of identity. Sharing is an ongoing experiment on a visual, mental and physical level, which includes: always dressing identically, never going apart, owning one wallet, one phone and one pair of keys. The denial of the boundaries between private and public, performance and social intervention is central in our work, which often starts small, close to ourselves and rooted in our personal life, but soon extends to a variety of important socio-political themes, such as discriminated minorities, racism, otherness and social and economical status. As artists, a gay couple, Jewish born (ex)Israelis and immigrants living in Europe, we contribute to the critical cultural discourse about human relationships and being different. Switching effortlessly between classical and contemporary artistic mediums, we continuously introduce creative and refreshing perspectives.

Cuts #7. 2026,
Cuts #7. 2026, - oil on canvas with cut-out and c-prints, 105x50 cm
Cuts #4. 2025
Cuts #4. 2025 - two oil on canvas layers with cut-out, 120x90 cm
Mental Diary #101. 2025
Mental Diary #101. 2025 - collage: watercolour, ink, c-print on paper with cut-out, 30x21cm
Mental Diary #59. 2024
Mental Diary #59. 2024 - collage: watercolour, pencil, c-print on paper with cut-out, 21x30cm
Mental Diary #7. 2023
Mental Diary #7. 2023 - collage: watercolour, pencil, c-print on paper with cut-out, 21x30cm
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam - Gemengde media installatie: fotobehang, ultra HD video, loop 23':36'', reliëfs van Jamal Al Shaabi, vitrine met Palestijnse voorwerpen en memorabilia, meubels. Uitzicht tentoonstelling in het Verhalenhuis Belvédère Rotterdam. Foto: Joop Reijngoud
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam - Gemengde media installatie: vitrine met Palestijnse voorwerpen en memorabilia. Uitzicht tentoonstelling in het Verhalenhuis Belvédère Rotterdam. Foto: Joop Reijngoud
Forget & Remember 2021
Forget & Remember 2021 - Left- Relational Aesthetics with Zvi Gera, 2015, oil on canvas with framed original lithograph, 200 x 80 cm Right- Relational Aesthetics with Moshe Bernstein, 2017, oil on canvas with framed original ink drawing, 60 x 180 cm, photo Aad Hoogendoorn
Forget & Remember 2021
Forget & Remember 2021 - Left- Relational Aesthetics with Sickles, 2020, oil on wood with original sickles, 123 x 105 x 7 cm Right- Relational Aesthetics with Irons, 2020, oil on wood with original irons, 66x 116 x 15 cm photo Aad Hoogendoorn
Forget & Remember
Forget & Remember 2021 - Forget & Remember, 2021, exhibition view Jewish Museum Amsterdam, painted wood, wallpaper, paintings with found objects and original Israeli masters’s paintings, six-channel video installation, Ultra HD, total length: 26’20’’, audio guide, furniture, photo Aad Hoogendoorn
Wild Bet, 2019, installatie uitzicht in TENT - Videosculptuur met achtkanaals Full HD video, elk 5’00”, hout, glas, kunstleer, aluminium, geperforeerde tekeningen op papier, gevonden kaarten, LED-schermen, 145x 250x250 cm, tapijt, behang, letter snijden, barstoelen. Foto: Aad Hoogendoorn
Wild Bet, 2019 - Detail van videosculptuur: glas, geperforeerde tekeningen op papier, Full HD video, LED-scherm. Foto: Aad Hoogendoorn
Change Place Change Luck, 2019, installatie uitzicht in TENT. - 6 videosculpturen met tweekanaals Full HD video, duur variërend van 1’08” – 4’13”, High Pressure Laminate, LED-schermen, elk sculptuur 165x 82x39cm, stofpanelen, vloersticker. Foto: Aad Hoogendoorn
Donkey Without a Tail, 2018, installatie uitzicht in TENT. - Ultra HD scherm, eenkanaal 4K video 27’31”, handcar, plastic stoelen, acryl op kleding en hout. Foto: Aad Hoogendoorn
The Dutch Volunteers, 2016, uitzicht solotentoonstelling in het Nederlands Fotomuseum. - Achterruimte: Truth Is Stranger than Fiction, 2014 - 2016, scheidingswand, tweekanaals video installatie, Full HD, 16 ’gesynchroniseerd, voorprojectie: Jewish Settlement, West Bank, sculptuur uit; cement, houtklompen. Foto: Studio Hans Wilschut
The Dutch Volunteers: Israel/Palestine, 2014-2016 - Ultrachrome print, 80x120cm

Wild Bet

Datum:
Locatie: TENT
In samenwerking met: TENT, Rotterdam, The Netherlands.

De tentoonstelling Wild Bet is een theatrale totaalinstallatie en draait om gokken als sociaalpsychologisch fenomeen in Rio de Janeiro, Helsinki en Rotterdam.

https://www.tentrotterdam.nl/tentoonstelling/wild-bet/
Deze kunstenaar heeft nog geen toekenningen.