GOEUN BAE

Lichaam, Gender, film, Ecologie, Diaspora, Dekolonisatie, cross-over, Community, Audiovisueel, Artistiek onderzoek

My visual art practice considers ideas in the manner of dismantling and reconstructing the ruling order observed in a minutely tuned society history. I talk in such a way as to expose the historical and political issues of the society starting from the firing points of trivial personal experiences. Within the works, I stand as someone witnessing and concurrently caught up in the battle between the internal patriarchy and the external or social patriarchy. My works are realized in various presentations such as film, performance, object, sound, and photography.

Blue Ocean - 2020, Film, 18min 53sec, with installation. In the film Blue Ocean, Goeun Bae deals with the personal disaster of a recurring leakage in her social housing apartment in the Bijlmer district. She consciously creates a personal memory of this place, as an 'excavation of the future history of the Bijlmer'. In the work, Bae is an explorer, a witness, and a dancer. She takes on the roles of exploring the past of the Bijlmer, examining its current status, and previewing its future. In a poetic way, she connects a recurring daily experience to issues and topics such as housing policy, migration, gentrification, and architecture. She also uses a method of excavating and predicting the structure of time, as this structure is intertwined with urban space and history. Humor and tragedy go hand in hand as the artist takes picnics in Amsterdam with a portable ocean made from the leaked water.
Intelligence operation - 2019, performance video, 23min 03sec. Through the toilet sound device called Otohime, which was invented to hide the excrement sounds of women, I expose about the structural patriarchal system such as the historical, economic and psychological pressures in the Japanese society. I gave guerrilla performances in public places for three days, dancing to the music made of my excretory sounds and played on a portable Otohime. I collected the portable keyring Otohimes and loaded it with music made with excretion sound, which is a way to rebel against the very function of Otohime made to mask female excretion sound. With the strategy of masking excretion sound with my excretion sound, I am rather exposing the sound of excretion.
Gentle tracking - 2019, 6 drawings, the ancient senryu poem, mixed media. Based on the ancient senryu poem of Japan, this research drawing follows the historical, economic, political, and social traces of patriarchy involved in excretion. This research drawing follows that the dread and loathing for the excretory sounds forced on women since the 18th century Edo period persists to this day
Vivid fears
Vivid fears - Vivid fears, 2019, video, monitor, 4min 37sec Project ‘Be ever hearing, but never understanding’ Through the toilet sound device called Otohime, which was invented to hide the excrement sounds of women, I expose about the structural patriarchal system such as the historical, economic and psychological pressures in the Japanese society. I enjoyed the work process of expanding the scope of research in approaching the topic and concurrently trying to connect experiments with the medium of sound with a specific subject matter that entails cultural distinctiveness. In an online community,I met Japanese women who talked about the fear and pressure of their excretion. In this video work It seems that the distinct psychological characteristic to define an individual's identity based on the external gaze has been demanded more strongly on women
Animal Forum
Animal Forum - Animal Forum, 2019-2020, Performance 30min I conducted an animal fairy tale performance. I wrote a script that follows the structure of "Talks at the Yan'an Forum on Literature and Art" by Mao Zedong and borrowing the tone of the communistic speech, implies political stances with a twist of fairy im­agination. The animals gather and attend a forum about how they can express themselves, communicate with each other through voting, and accept their diversity. Professional martial artists who specialize in animal-shaped martial arts play as performers. The origami sculptures were installed at Goethe Institute Library. "Talks at the Yan'an Forum on Literature and Art " by Mao Zedong Performers (Kung Fu Master)::E(&li!, 􀀖􀀗!de, Mi􀀛 Voice Performer:􀀜*Wn, Percussionist:􀀅􀀆PEI Location: Goethe lnstitut Beijing
The Video trilogy
The Video trilogy - The project "Of Whom The World is Not Worthy", uses Chinese martial arts movies as a medium to reveal the interreationship between the individual's setback, socioeconomic issues and culture politics. This work started with the memories of my childhood, when father did not participate in economic activity, but was rather addicted to Chinese martial arts movies. I actually traveled to China and practiced martial arts as an observer and practitioner, and witnessed the Chinese society's system and historical struggles on the other side of Chinese martial arts movies. I invited my father to China during the project and he came to China with the first passport in his life. 'The film trilogy', Based on the practical attitude of the artist, the letter to father, interview with father and research process were conducted in 3 chan­nel video. The Video trilogy _Of Whom the World is not Worthy Dear Dad,2021,video,4k, 5min07sec_Cotton candy,2021,video,4k 8min06sec Lead character,2021, video,4k, 1 0min52sec Boomerang:The 9th Biennale, 2021-2022 OCAT, Shenzhen, CN, Curated by Son Yi (Removed by censorship)
Our shining ears
Our shining ears - Our shining ears, 2020, ceramic, toilet pots At the Sundaymorning@ ekwc, I produced various types of ceramic pots used as toilets. I specifically made a reference to the beautiful ceramic toilets of faces of various races. It was coated with a yellow glaze reminiscent of urine color only the ear and inside the pot. I am going to work with the ceramic objects on a performance.
The March of Eternity
The March of Eternity - The march of eternity, 2023, film, 9min24sec ‘The March of Eternity ’ is a video work that starts with seemingly trivial personal moments but raises questions about the eternal moments that run through life. It overlays footage capturing moments of life in Brazil, Argentina, Morocco, Germany, the Netherlands, and Korea. By intersecting fleeting daily records with micro-moments that must be captured, the work seeks to uncover its essence. This is both an individual’s time and a narrative intertwined with historical, cultural, and relational aspects of society. Through humor and tragedy in life, I realize that everything has its destined time. What exists now has existed in the past, what will exist in the future has already been in the past, and in what has already passed, we can find today. At the composer's suggestion, I was able to create a video work and present a new video piece alongside a live performance at Ilshin Hall in Korea. The composer's classical music was performed by various ensembles, and the performance began with my video playing

WIELS

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In samenwerking met: Mondriaan Fond
https://www.wiels.org/nl/residencies/goeun-bae

Refresh Amsterdam exhibition, Amsterdam Museum

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Locatie: Amsterdam Museum
In samenwerking met: De Appel, CBK Zuidoost, Compagnietheater, OSCAM, Rijksakademie van beeldende kunsten, SEXYLAND en The Black Archives.

From December 11 you can see Refresh Amsterdam at the Amsterdam Museum and at various locations in the city. This is a biennial manifestation around Amsterdam city culture with work by contemporary makers. The theme of this edition is 'Sense of place'. The exhibition in the Amsterdam Museum includes works by more than twenty-five artists (collectives) from various disciplines, each with its own perspective on the city and its great social and cultural diversity.

https://www.amsterdammuseum.nl/tentoonstellingen/refresh-amsterdam

Test Case XXII and Sundaymorning@EKWC

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Locatie: Almystraat 10, 5061 PA
In samenwerking met: Project grant, Arts Council Korea, KR

Sundaymorning@ekwc offers them studios, workshops, apartments, the most advanced equipment and guidance by our experienced staff. Those who live and work here for 12 weeks can fully focus on their work. The exchange with fellow artists, designers and architects also offers energy and inspiration.

https://sundaymorning.ekwc.nl/

“Of Whom The World is Not Worthy”

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Locatie: Goethe Institut, 798 Art District Creative Square, Jiu Xianqiao Rd. No.2, Chaoyang
In samenwerking met: Goethe institute, Institute for Provocation, Mondriaan Fonds

In this exhibition, Goeun Bae presents newly completed video works in the Gray Box space, as well as some objects and origami sculptures scattered in the building of Goethe Institut. In the video works, the artist composes entangled questions about relationship with her father, socioeconomic issues, the political stance of the artist, and the direction of trivial life.

Performance &workshop program “Animal Forum”

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Locatie: Goethe Institut, 798 Art District Creative Square, Jiu Xianqiao Rd. No.2, Chaoyang
In samenwerking met: Goethe institute, Institute for Provocation, Mondriaan Fonds

Goeun Bae makes an animal fairy tale performance using animal movements, one of the characteristics of Chinese martial arts, and performs for children. Martial artists who can do animal-shaped martial arts participate this performance as performers.The artist readapted "Talks at the Yan'an Forum on Literature and Art" to build a narrative, in which animals gather and attend a forum about how they can express and communicate themselves. Age Recommendation: For Ages 4-9, Performance & workshop

World Of Noon #5 Bending Your Back Like This

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Locatie: Haus der Statistik, Otto-Braun-Straße 70-72, 10178
In samenwerking met: Berlin Senatsverwaltung für Kultur und Europa

Through shared experiences, public discussion and physical exercises, we will examine the spacial adjustability of the human body as a metaphor for the housing-crises we are facing today. We will look at the video works of Goeun Bae and Ling-Yu He. Both use the means of the human body to sketch out the boundaries of private and shared space. Furthermore we will talk with the artist Carsten Lisecki and architect Monika Konrad about their practices related to the topic.

https://airberlinalexanderplatz.de/event/wp2586

Rijksakademie van beeldende kunsten/ Dutch Ministry of Education, Culture and Science

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In our residency program we house an artist community that is highly international, multi-disciplinary, experimental and critically engaged. Up to 50 artists are open to challenging themselves, and to working alongside positions that are vastly different from their own. Spending up to two years in residence, they enter into an open-ended process where they can deepen their practices, and explore new territories, in and beyond the art field.

https://www.rijksakademie.nl/
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