Katarina Jazbec

samenwerking, installatie, fotografie, film, Documentair, Audiovisueel

Katarina Jazbec is a visual artist working in film and photography, using interdisciplinary and collaborative artistic strategies. She was born in 1991, in Slovenia, and has been living in Rotterdam since 2015. She received her BA from the Faculty of Economics in Ljubljana and her MA in Photography from the AKV | St. Joost Art Academy in Breda (NL).

In her work, which is based on long-standing participatory research, she builds heterotopias exploring the current questions of ethics, agency, and vulnerability of human and non-human critters in the current economic system. Responding to our complex times she searches for new forms of storytelling that can carry a plurality of perspectives and worlds yet still feel accessible to different audiences. Such ‘bridging’ is carved in the DNA of her making process. Living in the Netherlands, an extreme nature-controlling environment, while growing up surrounded by wilder nature, is friction that comes with pain yet gives her strength to contribute to more constructive future narratives.

Her films have been shown at numerous festivals all around the world and at various exhibition spaces such as Stedelijk Museum Amsterdam, TENT Rotterdam and Eye Film Museum. For her film Permeating Hearts, she was given a Tënk Award at FIDÉ Paris 2019. For her film You Can’t Automate Me she received several awards and nominations including getting longlisted for Oscars Academy award.

‍She is the first recipient of the RTM Pitch Award by the International Film Festival Rotterdam. Katarina is a fresh alumna of a two-year international residency programme at the Rijksakademie in Amsterdam.

You Can't Automate Me - installation view at the Stedelijk Amsterdam 2024-2025
You Can't Automate Me - installation view at the Stedelijk Amsterdam 2024-2025 - Experimental documentary and 1-channel film installation with surround and stereo sound, 21min Before container-ships leave port, lashers secure the containers using heavy metal bars. They are the last port workers to do such dangerous jobs surrounded by self-driven vehicles and remotely operated cranes. Each body tells its own story: from grieving for a colleague who died on the job to just keep going. Stowaway animals appear as visions of nature beyond the illusion of human control.
Lashing bar, 2024
Lashing bar, 2024 - Lashing Bar, size 4.7m, steel tool with engraved text handwritten along the entire length “you can’t automate me I have eyes bones muscles skin and dreams you can’t…” as part of the You Can't Automate Me film installation. On the picture presented as part of the Circulate - Photography Beyond Frames group exhibition curated by Vincent van Velsen and Mirelva Berghout at the Stedelijk Museum Amsterdam 2024-2025.
By the Clay Oven We Bobbin-Lace Together - Installation view at the Rijksakademie Open Studios 2025
By the Clay Oven We Bobbin-Lace Together - Installation view at the Rijksakademie Open Studios 2024 - 16mm to 4K film installation, 2 channel, black-and-white and color, 6min, stereo, loop | After two films sets in industrial landscapes (the harbour of Rotterdam and the Ruhr region), I turn my attention to my ancestral landscape, with a 16mm camera and a series of ceramic works. I observe the cycles of nature, I listen to the hands bobbin-lacing, I sit by the clay oven with these women—and with you. | Photograph of the installation by Sander van Wettum
By the Clay Oven We Bobbin-Lace Together - Installation view at the Rijksakademie Open Studios 2025
By the Clay Oven We Bobbin-Lace Together - Installation view at the Rijksakademie Open Studios 2024
By the Clay Oven We Bobbin-lace Together, 2024, review by NRC
By the Clay Oven We Bobbin-lace Together, 2024, review by NRC
Know Your Stones, 2023, film still
Know Your Stones, 2023, film still
Know Your Stones - Installation view
Know Your Stones - Installation view at the Rijksakademie Open Studios 2023 - Experimental documentary and 1-channel film installation with surround and stereo sound, 21 min, commission by Urbane Künste Ruhr for Ruhr Ding: Schlaf | Young climate activists, steelworkers, and a geologist come together in a dream-sharing, time-travelling space full of nightmares and aspirations. Europe's biggest steelmaking site, a limestone quarry, the proximity of Garzweiler open pit coal mine - the lives of protagonists are intimately intertwined with stone matters. Their special bonds with ores, fossil fuels, and machines act as the oracles for the future. As we face climate change, who else could speak on behalf of stones about the faith of humanity? | Photograph of the installation by Tomek Dersu Aaron
Know Your Stones - Installation view at the Rijksakademie Open Studios 2023
Know Your Stones - Installation view at the Rijksakademie Open Studios 2023 - Graffiti as part of the installation at the Rijksakademie, screenshot of Metropolis M review, photography by Tomek Dersu Aaron
You Can't Automate Me, 2021, Film still
You Can't Automate Me, 2021, Film still
You Can’t Automate Me - series of photographs, 2020
Permeating Hearts, 2018, Film still
Our Bearings, 2016, Film still

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