Lavinia Xausa

spiritualiteit, fotografie, film, Documentair, cross-over, Community, Artistiek onderzoek

I am a visual artist working at the intersection of participatory and interdisciplinary research. My projects evolve through artistic collaborations and diverse media, often culminating in art documentary films. Within these films, participants share their stories in a universe woven with musical and visual poetry, political reflection, and a deep search of empathy and connection.
Growing up in rural Italy, Christian teachings shaped my early understanding of justice and spirituality. In my teenage years, I began questioning these traditions, searching for alternative forms of community and social justice. This spirit of inquiry remains central to my work, which seeks to subvert dominant religious narratives and explore alternative belief systems and communal practices. I am drawn to spaces where individuals create meaning and empowerment outside institutional structures.
My research has expanded to explore political and societal hierarchies, particularly since moving to the Netherlands, where I have confronted the lasting pain of colonial histories. My work is sensitive to themes of identity, uprooting, and belonging. I ask: What do people believe in today? How do media, politics, and cultural heritage shape their sense of self? How can we engage participants in telling their own stories through cultural memory, visual poetry, and interdisciplinary storytelling?
Over the years, filmmaking has become my dearest realm, where words, images, and sound converge to reveal undocumented histories, unspoken emotions, and invisible power structures. Collaboration is essential to this process—working with scholars, composers, choreographers, writers, and designers allows me to push the boundaries of traditional documentary-making. Through video art, I seek to express what reality cannot yet fully articulate.

Roundabout Love, Roundabout Tehran, 2017, full HD video with sound, 8’04”, movie still - “There is a traditional Persian proverb that says: Imagine yourself on the roof of your house and try not to fall down. You'll see that the harder you try to not fall from one side, the easier it will be to fall from the other" Ten years ago in Iran, it wasn’t accepted at all to have a relationship or a girlfriend. Nowadays, it is the exact opposite: we are falling from the opposite side”. During my visit in Iran, I asked some kids to talk about love, sex, and relationships. The memory of their witnesses remains vague and confused. But what actually continues to linger in my mind is the sound of the traffic in the city and the cars running along. Cars are not just vehicles anymore: they are now loyal holders of the hidden, secret things that happen inside.
Roundabout Love, Roundabout Tehran, 2017, full HD video with sound, 8’04” - “There is a traditional Persian proverb that says: Imagine yourself on the roof of your house and try not to fall down. You'll see that the harder you try to not fall from one side, the easier it will be to fall from the other" Ten years ago in Iran, it wasn’t accepted at all to have a relationship or a girlfriend. Nowadays, it is the exact opposite: we are falling from the opposite side”. During my visit in Iran, I asked some kids to talk about love, sex, and relationships. The memory of their witnesses remains vague and confused. But what actually continues to linger in my mind is the sound of the traffic in the city and the cars running along. Cars are not just vehicles anymore: they are now loyal holders of the hidden, secret things that happen inside.
Nowhere, Now Here , 2017, emergency blanket, video screen, book, display - Would you recognize something sacred if you saw it in the news? As Umberto Eco explained in many essays, visions and apparitions are always influenced by our cultural visual background and the recognition of sacred icons often refers to archetypes. As in Western countries, Holy Mary is often portrayed recalling the archetype of the mother- with-a-child, my project questions the way we approach and interpret the news and explores the possibility to find something sacred where there seems to be not. If we recognize a mother with a child as a sacred Icon, why don't we apply the same process to all those women crossing the borders with their children? Holy Mary is back, and she's a migrant.
Nowhere, Now Here, 2017, 66 pages, book display - Would you recognize something sacred if you saw it in the news? As Umberto Eco explained in many essays, visions and apparitions are always influenced by our cultural visual background and the recognition of sacred icons often refers to archetypes. As in Western countries, Holy Mary is often portrayed recalling the archetype of the mother- with-a-child, my project questions the way we approach and interpret the news and explores the possibility to find something sacred where there seems to be not. If we recognize a mother with a child as a sacred Icon, why don't we apply the same process to all those women crossing the borders with their children? Holy Mary is back, and she's a migrant.
Nowhere, Now Here - my first vision - , 2017, full HD video with sound, 5’ - Would you recognize something sacred if you saw it in the news? As Umberto Eco explained in many essays, visions and apparitions are always influenced by our cultural visual background and the recognition of sacred icons often refers to archetypes. As in Western countries, Holy Mary is often portrayed recalling the archetype of the mother- with-a-child, my project questions the way we approach and interpret the news and explores the possibility to find something sacred where there seems to be not. If we recognize a mother with a child as a sacred Icon, why don't we apply the same process to all those women crossing the borders with their children? Holy Mary is back, and she's a migrant.
Further Than Hip Hop - 2020, trailer of full HD video with sound, 20’ - ‘Further than Hip Hop’ (2020) emerged from her inquiry into how several communities in The Netherlands are affected by Dutch colonial history. The work draws a parallel between the word of colonial missionaries of the past and the words of rappers and spoken-word-artists in contemporary Rotterdam. In the film, Neusa Gomes, Kevin Josias, Adeiye Tjon and Rik Zutphen recite texts they wrote in response to a series of conversations Xausa initiated. In carefully chosen words and deliberate tone of voice, they address the lack of a sense of belonging, or the firsthand experience of racism. They voice anger and barely concealed contempt, as well as contemplation. Above all, pain is made palpable. Their critical voices indicate that multiculturalism may mean cultural plurality, but not necessarily togetherness. A shared frame of reference is still lacking. - text by Mariska van den Berg
Off-Shore - 2020, Concept Album, 27', poster - "Off-Shore" is a concept album, directed by Lavinia Xausa in collaboration with the Rotterdam spoken-word artists and musicians Neusa Gomes, Kiki Luitwieler, Kevin Josias, Adeiye Tjon, Rik Zutphen, Kenny Gomes, Shiva Willem, Jephan Esseboom and Ismael Lo. The music and lyrics in the album, are written in response to their conversations about the super-diverse character of Rotterdam, Dutch colonial history and how it continues to this day in Rotterdam communities. "Off-Shore" was produced as a spin-off of the participatory project "Further than Hip Hop".
CULT! The Flag; 2020, visual and sound installation, hand-embroidered flag 3x3m - CULT! is a year project that focuses on the aesthetic of national-populist movements, investigating the social aspects that make them so compelling among the European population. With her work, Lavinia Xausa wants to illustrate that populism is based on the sense of religion and the sacred as it worships symbols and ideals in similar ways as the ones of a cult. Her main concern is that intertwining politics and fanaticism can be dangerous for the rule of law of our countries. In order to show her analogy between populism and cults, Xausa visually investigated those situations where a symbol and a code are worshipped in very powerful and astonishing ways, as for example, in the relationship held between football fans in the stadium. Indeed, they abandon themselves completely, forming a sort of cult. With her work, she wants to create a brand new symbol to worship so as to underline the beauty and the danger of these practices beyond law and democracy.
CULT! A dive into mild water - 2020, full HD video with sound, 8’ - "When you jump from a cliff for the first time and the water embraces you, or when you shout in a sea of hundreds of people, and your voice becomes one with the others, you feel that everything is possible when you belong to a family who supports you. There is no fear or mistake when we are all together." 2020 + CULT! A dive into mild water is a year project that focuses on the aesthetic of national-populist movements, investigating the social aspects that make them so compelling among the European population. With her work, Lavinia Xausa wants to illustrate that populism is based on the sense of religion and the sacred as it worships symbols and ideals in similar ways as the ones of a cult. Her main concern is that intertwining politics and fanaticism can be dangerous for the rule of law of our countries. In order to show her analogy between populism and cults, Xausa visually investigated those situations where a symbol and a code are worshipped in very powerful and astonishing ways, as for example, in the relationship held between football fans in the stadium. Indeed, they abandon themselves completely, forming a sort of cult. With her work, she wants to create a brand new symbol to worship so as to underline the beauty and the danger of these practices beyond law and democracy.
CULT!- 2020, photo prints 33 x 45 cm - CULT! is a year project that focuses on the aesthetic of national-populist movements, investigating the social aspects that make them so compelling among the European population. With her work, Lavinia Xausa wants to illustrate that populism is based on the sense of religion and the sacred as it worships symbols and ideals in similar ways as the ones of a cult. Her main concern is that intertwining politics and fanaticism can be dangerous for the rule of law of our countries. In order to show her analogy between populism and cults, Xausa visually investigated those situations where a symbol and a code are worshipped in very powerful and astonishing ways, as for example, in the relationship held between football fans in the stadium. Indeed, they abandon themselves completely, forming a sort of cult. With her work, she wants to create a brand new symbol to worship so as to underline the beauty and the danger of these practices beyond law and democracy.
Waiting for Rustwijk (residency research, 2021)
Waiting for Rustwijk (residency research, 2021) - During a short residency in the castel of Bagnac in France, in collaboration with the performer Mathieu Wijdeven, we collected all those objects orbiting in the universe of his famous Surinamese activist ancestor Rustwijk. We build up some photography setups and documented a series of short performances around the objects. The history and art of the eclectic Rustwijk and his de-colonial engagement in the early 1900, intertwined with our fictional narration uprooting emotional family memories.
So Loud The Sky Can Hear Us - Film, 2022, 20" ‘So loud the sky can hear us’ explores the identity of the group of Feyenoord supporters. It investigates what lies behind the traditional image of the roughness of the Feyenoord legion. An image perpetuated by the work in the harbor and the life in the South of Rotterdam. The subjects unfold a hidden world of faith, love, compassion, and vulnerability that gives space to marginalized voices to emerge and reconnect with their community. Does the identity of the individual surrender to the main image of Feyenoord? Or is Feyenoord itself that conforms to the supporters’ image and likeness? As I attempt to trace back the ‘lost voice of God’ among the voices of the supporters, I wonder a world where the lost monophony of ancient chants may turn into a new polyphony composed of different identities.
So Loud The Sky Can Hear Us
So Loud The Sky Can Hear Us
REESISTERE
REESISTERE - REESISTERE (Workshop, Film, 2023) I involved a group of students from the Art Academy of Dresden in an exploration of monuments and architectures in the city. Some of these representations serve as poignant reminders of a painful past, whose echoes continue to resonate in the present. My objective was to create new narratives that could challenge the established narratives of power within the city. We wove together new narratives inspired by our collected footage, personal stories, and the subtle visual elements strewn throughout the city. From this collaboration, AMANDA emerged as my personal outcome — a family story shared by a friend. It stands as a testament to our collective efforts to resist the weight of Dresden’s occupied past, offering a glimpse into the resilience of human narratives beyond historical adversity.
AMANDA, 2024
AMANDA, 2024 - In 2023, I was invited for a two-month residency in Dresden. During that brief yet full period I spent in this city, I involved a group of students from the Art Academy in an exploration of monuments and architectural wonders throughout the urban landscape. Some of these representations serve as poignant reminders of a painful past, whose echoes continue to resonate in the present. My objective was to create fresh narratives that could challenge the established narratives of power within the city. In collaboration with the participants, we embarked on journeys to these monuments, trying to detach from their original meanings. Together, we wove new narratives inspired by our collected footage, personal stories, and the subtle visual elements strewn throughout the city. From this collaboration, AMANDA emerged as my personal outcome—a family story shared by a friend. It stands as a testament to our collective efforts to resist the weight of Dresden's occupied past, offering a glimpse into the resilience of human narratives amidst historical adversity.
FI- FU (Workshop, Film, 2023)
FI- FU (Workshop, Film, 2023)
‘Fi-Fu’ - 2023, full HD video with sound, 11’30’’
‘Fi-Fu’ - 2023, full HD video with sound, 11’30’’ - Fi-Fu is a collaborative project that weaves together the talents of composer Jasmin Karimova, the Traditional Japanese Trio Hougaku Sannin-musume, the warm-hearted inhabitants of Ureshino, Japan, and me, a mourning director. This project is an exploration of childhood memories, particularly those linked to the people we have lost along the way. At its core, Fi-Fu is a short film that brings to life the reimagined melodies of Karimova set against a backdrop of an age-old local children's song, an enchanting performance by the Hougaku Sannin-musume trio, and a deeply personal childhood recollection along with a special contribution in the form of a costume. The project's genesis involved a unique and enriching workshop, where Karimova and the creator came together with the Ureshino community to share, experiment, and exchange their collective experiences and creative insights. Throughout this journey, the bird emerged as a symbol, representing memory, grief, and above all, love. Fi-Fu is a homage to my sister and her beautiful illustrations, a harmonious blend of music and memory, and a powerful testament to the enduring bonds that connect people across time and life.
FI-FU(2023) Workshop
FI-FU(2023) Workshop - Fi- Fu is an exploration of childhood memories, particularly those linked to the people we have lost along the way. At its core, Fi-Fu is a short film that brings to life the reimagined melodies of composer Karimova set against a backdrop of an age-old local children’s song, an enchanting performance by the Hougaku Sannin-musume trio, and a deeply personal childhood recollection along with a special contribution to my sister Elena in the form of a costume. The project’s genesis involved a unique and enriching workshop, where Karimova and I came together with the Ureshino community to share, experiment, and exchange their collective experiences and creative insights. Throughout this journey, the bird emerged as a symbol, representing memory, grief, and above all, love. Fi-Fu is a homage to my sister and her beautiful illustrations, a harmonious blend of music and memory, and a powerful testament to the enduring bonds that connect people across time and life.
Mountain Cries, workfilm in progress, 2023-
Mountain Cries, workfilm in progress, 2023- - The intense loss of her sister leaves Lavinia and her family unable to vocalize their grief. Retracing a transgenerational silence to her WWII veteran grandfather, Lavinia ends up in the Albanian mountains. Can newfound perspectives help face traumas from the past and open conversations on healing and identity?
Mountain Cries, Filmwork in progress, 2023-
Mountain Cries, Filmwork in progress, 2023- - Moodboard
'86-'96
'86-'96 - Marked by the incessant rhythm of nature, the short films shot by my father tell 10 years of life, shaped by simple memories and everyday moments. But beneath the surface, fragments of another story creep in—Chernobyl, the Exxon Valdez, the fires in Kuwait, the sheep Dolly— traces of a fragile world, marked by man. The hill behind the house, with the perpetual song of its birds, continues to be the soundtrack that marks our lives, reminding us that, in the end, no matter how faint our traces may be, it will always prevail. Despite everything, the hill will always sing. www.laviniaxausa.com

2021 | Guest lecture: Narratology, AKV St. Joost, Den Bosch, The Netherlands

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2021 | Assistant Scenographer In Een Boek Kan Het Wel, VPRO, NL

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2021 | Collaboration on Performance: Dance Dictator, Nineties Production, Amsterdam, NL

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2021 | Organizer Listening sessions: Off-Shore, TENT, Rotterdam, NL

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2021 | Guest Speaker at Artist talk: Trying our tongues, TENT, Rotterdam, NL

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2021 | Guest Speaker to Podcast: Truly, Madly, Deeply, Radio Operator, Rotterdam, NL

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2021 | Organizer Ableton workshop: Truly, Madly, Deeply, Roodkapje, Rotterdam, NL

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2022 | Guest lecture, screening IFFR X WDK, Lantaren Venster, Rotterdam, NL

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2022 | Jury Member: Art Residency Program, Goethe Institute, Rotterdam, NL

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2022 | Programmer of Spoken Silence, Gemaal op Zuid, Rotterdam, NL

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2023 | Workshop organisation, Films uit Delfshaven, IFFR, Rotterdam, NL

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2023 | Cultural Coach for IFFR for Zadkine, Rotterdam NL

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2023 | Lectures and workshop for students of HfBK, Dresden, DE

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2023 | Jury member for Lago Film Festival, Lago, IT

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2024 | Assistant director for Separate States, IFFR, Rotterdam NL

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2024 | Assistant director for Bubbling Baby, IFFR, Rotterdam NL

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2024 | Performance night organizer: Overture Carnival, Rotterdam NL

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2025 | Performance night organizer: Overture Carnival, Rotterdam NL

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2025 | Guest Artist leading workshop Reesistere, Dresden DE

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2016 | Residency Derivé, Beius Foundation X AKV St. Joost, Berlin, NL

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2018 | Re:vive initiative, Beeld en Geluid Archief, NL

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2019 | NL Stipendium for young Artists, Mondriaan Fund, NL

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2019 | Residency at HCA, Roodkapije, Rotterdam,

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2020 | PPR Grant, CBK, Rotterdam, NL

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2020 | Amarte Fund, NL

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2022 | Residency in Dresden by Goethe Institute, DE

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2024 | Vrijplaats, Film Forward, Amsterdam, NL

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Off-Shore Listening Session - KUNST­AVOND RA­DIO

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Locatie: Worm
In samenwerking met: TENT

ENT pre­sen­teert “Off-Sho­re”, een con­cept al­bum, ge­re­gis­see­rd door La­vi­nia Xau­sa in sa­men­wer­king met de Rot­ter­dam­se spo­ken-word kun­ste­naars en mu­zi­kan­ten Neu­sa Gomes, Kiki Luit­wie­ler, Ke­vin Jo­si­as, Ad­eiye Tjon, Rik Zut­phen, Ken­ny Gomes, Shi­va Wil­lem, Jephan Es­se­boom, en Is­mael Lo.

https://dekunstavond.nl/2021/04/kunstavond-radio/

Dance Dictatorship

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Locatie: Nineties Productions
In samenwerking met: Marta Worner, Jetty Steffers

And something extra, on two of the eight weeks DjJJJ present Dance Dictatorship: a guided collective physical experience displayed online that takes the format of a virtual and performative DJ set with related audiovisual stimulus. During the DJ set, life-mixed electronic music, life-voice, and audiovisuals are melted to guide the listeners in the experience of their own body and digital and virtual space around.

https://www.ninetiesproductions.nl/artist/djjjj/

Off-Shore listening session at Tent

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Locatie: Tent
In samenwerking met: Neu­sa Gomes, Kiki Luit­wie­ler, Ke­vin Jo­si­as, Ad­eiye Tjon, Rik Zut­phen, Ken­ny Gomes, Shi­va Wil­lem, Jephan Es­se­boom, en Is­mael Lo

Listening session of the concept album Off-Shore produced in collaboration with the participants of Further than Hip Hop. The songs are written in response to their conversations about the super-diverse character of Rotterdam, Dutch colonial history, and how it continues to this day in Rotterdam.

https://www.tentrotterdam.nl/en/event/listening-sessions-off-shore/?ref=home&fbclid=IwAR1xVNswMSaP1QZLwmmxYUFB_wD7jnbhFmMlVjvERvWAHwOSl3QDL7KpNkE

Further than Hip Hop per Joined Narratives

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Locatie: Tent

In three solo presentations, Joined Narratives shows work by the young filmmakers Katarina Jazbec, Lavinia Xausa and Heidi Vogels, created in close collaboration with the protagonists. The narrative film works brought together by curator Mariska van den Berg question how experiences of exclusion, uprooting and loss – which are hidden from view – can be visualized and put into words, and made tangible and discussable. The emotional world, memory, desire and imagination are key.

https://www.tentrotterdam.nl/en/tentoonstelling/joined-narratives/

Workshop | Truly, Madly, Deeply - 2 days of an Ultra’s physical and audio experience

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Locatie: Roodkapje
In samenwerking met: Marta Worner, Alberto Granada

As part of the HCA 2020 program, resident artist Lavinia Xausa organises and hosts a series of events that allows both her audience and the artist to dive deeper into her practice. Spanning an ongoing research trajectory into the relationships between notions of cults and populism, the goal of this project is to further engage with these topics in both theoretical and practical sense.

https://www.facebook.com/events/701770534048917/

HCA Lecture | Truly, Madly, Deeply - A Conversation around Populists and Cults

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Locatie: Roodkapje
In samenwerking met: Mihai Gui

During this event, Lavinia and fellow visual artist Mihai Gui will lead a conversation about national populism, cults and right-wing speeches. Digging up the oddest corners of the Internet, they will share with the audience their fascinations, references, and personal works. While Mihai is particularly fascinated in spotting similarities between right-wing politician’s agendas and speeches, Lavinia aims to investigate the religiousness of these political structures.

https://www.facebook.com/events/402618040779230/?acontext=%7B%22event_action_history%22%3A[%7B%22surface%22%3A%22external_search_engine%22%7D%2C%7B%22mechanism%22%3A%22search_results%22%2C%22surface%22%3A%22bookmark%22%7D]%7D

Solo show Joined narratives

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Locatie: TENT
In samenwerking met: TENT

HCA 2020: With Open Arms

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Locatie: Roodkapje
In samenwerking met: Danielle Hoogendoorn, Rafiq Abbasov, Iriée Zamblé, Gill Baldwin

‘With Open Arms’ springs from the urge of the Hamburger Community artists to deal with the current challenges of making and presenting art, and to question what being part of an artist-in-residency program can contribute to face these challenges as a whole. As every day now poses new realities, we have to continuously look for new ways of relating, living, and being together.

https://www.facebook.com/events/2717851321874965?active_tab=about

Noorderlicht International Photo Festival 2020: Generation Z

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Locatie: Museum Belvédère, Afslag BLV, Museum Heerenveen & Noorderlicht Studio
In samenwerking met: Plenty

GENERATION Z, the 27th edition of the Noorderlicht International Photo Festival, is about the youngest generation of world citizens, born after 1995. What is their place in society, how do they see their future, what are their ambitions? By tapping into the hopes and fears of Generation Z, Noorderlicht aims to provide insight into their young adult world. A sharp selection has been made for the festival, that shows a generation focusing on fundamental emancipation processes.

https://www.noorderlicht.com/en/zien-en-doen/programma/noorderlicht-internationaal-fotofestival-2020-generation-z/

Exhibition Through the Looking Glass

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Locatie: Garage Rotterdam
In samenwerking met: Silvia B., Antye Guenther, Steven Maybury, Jochem Rotteveel, Olivier Scheffer

In this exhibition, the fragility of life is unfurled through the eyes of art. This frailty reveals itself on many levels, such as health and the security of work and income, but also the delicate world order, with its rising tensions both within and between countries. We are living in the Anthropocene, an age shaped by humankind, and yet nowadays we feel more like pinballs. The six Rotterdam-based artists use their work to reflect upon these inauspicious time.

https://catalogue.garagerotterdam.nl/en/catalogues/43/

Opening | HCA 2020: Shoulda, Coulda, Woulda

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Locatie: Roodkapje
In samenwerking met: Danielle Hoogendoorn, Rafiq Abbasov, Iriée Zamblé, Gill Baldwin

The Hamburger Community of Art presents ‘Shoulda, Coulda, Woulda’, the first group exhibition with the new residents of Roodkapje’s year long development trajectory for young and emerging artists, Daniëlle Hoogendoorn, Rafiq Abbasov, Iriée Zamblé, Lavina Xausa, and Gill Baldwin.

https://www.facebook.com/events/586841918826977

De Brakkere Grond | Time Window X Amsterdam Fringe Festival

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Locatie: Fringe Festival
In samenwerking met: Time Window

What is Time Window, the community-in-residence from Rotterdam, going to do at the Fringe Festival in Amsterdam, you might ask? Well… A residency of a community of residents residing in amsterdam of course! We’re moving everything but our fridge to De Brakke Grond. Artists from various disciplines move their work practices to Amsterdam for 11 days, and leave the doors open to the public.

https://www.facebook.com/events/1057403287798924/?acontext=%7B%22event_action_history%22%3A[%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22permalink%22%7D%2C%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22permalink%22%7D%2C%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22permalink%22%7D]%2C%22ref_notif_type%22%3Anull%7D

OPEN DOEK FESTIVAL PREMIÈRES: EVEN LEKKER HUNKEREN “Altijd dat ene andere willen”

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Locatie: Lantaren Venster

Speciaal voor het festival stelt Rotterdams Open Doek een thematische selectie samen van de beste korte films van het moment. Regisseurs van de films zijn bij de voorstelling aanwezig voor een Q&A.

https://www.lantarenvenster.nl/programma/festival-premieres-even-lekker-hunkeren/

Hubbub Le Scope

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Locatie: Wolfart Project space
In samenwerking met: Oana Clitan, Mihai Gui, Nikos Kostopoulos

The passive engagement of the audience and contemporary image culture are co-dependent.
Our vision is inclined to introject the educational background, cultural values and societal codes and to establish them as shared norms for understanding and interpreting the entanglements of what happens around us. An interference, a friction in the scheme, can lead the viewer to a profound reflection of what we actually see, by analysing how we look at it.

https://www.facebook.com/events/1839407146351455

Really Real at Organ Vida

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Locatie: Organ Vida Festival
https://ovfestival.org/

There is something about my family

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Locatie: EYE Museum
In samenwerking met: AKV Master fellows

Breure en Van Hulzen leverden het vertrekpunt voor het EYE-project door het thema “There is something about my family” te verbinden met het scenario van Scènes uit een huwelijk van Ingmar Bergman.

Aan de hand van een fragment uit de eerste veertig pagina”s van het script, bestaande uit drie lange dialoogscènes, maakt iedere student een nieuw werk. Alles is mogelijk: fotografie, performance, tekst, film, found footage etc. Filmmaker en docent Noud Heerkens begeleidt het research-lab.

https://www.eyefilm.nl/nl/whats-on/there-is-something-about-my-family-research-lab-akv-st-joost/270229

Elektro Arts Festival

Locatie: Gallery Casa Matei
In samenwerking met: Oana Clitan, Mihai Gui, Nikos Kostopoulos

media art festival

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