Lou Lou Sainsbury

sculptuur, performance, LHBTIQ+, installatie, Geschiedenis, Gender, Ecologie, Community, Autobiografisch, Audiovisueel

Lou Lou Sainsbury (b. 1994; London) is an artist working across moving image, live-performance, poetry, drawing, sculpture and textiles. Sainsbury's work seeks to tell stories exploring histories of resistance, transformation and entanglement. With collaboration at the core of her practice, rituals and invocations, collective study, domestic intervention, adaptation, songwriting and make-shift mutations make up some of her idiosyncratic research methods. Making connections between spirituality, medicalization, colonialism and technology, her tricksterish work attempts to excavate a historical and imagined past of queer and trans life within the brokenness of human and more-than-human worlds.

Her recent solo exhibitions include Ehrlich Steinberg, Los Angeles; Roodkapje, Rotterdam; Gasworks, London & Humber Street Gallery, Hull. She has presented in group exhibitions and festivals including Herald St, London; Rencontres Internationales, Paris; International Film Festival Rotterdam; Tate Modern, London; Nottingham Contemporary and La Casa Encendida. Sainsbury has been the recipient of numerous grants and awards, including Mondriaan Fonds in 2023 & 2025 and Freelands Gasworks Partnership Program in 2021. She was an artist in residence at EKWC, Oisterwijk in 2024. Sainsbury received her MA from the Dutch Art Institute in 2021 and previously was an associate artist at Open School East in 2017. She is currently an associate artist of Conditions Studio Program in Croydon

Resurrect Me as a Parasite (2025)
Resurrect Me as a Parasite, 2025 - Made in collaboration with Gabi Dao. A vampiric trio facilitates the transition of a new host across a former limestone quarry and the sacred mountain grotto of Mary Magdalene, troubling the binaries of life, death, gender and parasitism. Monuments to female saints become poses of living queer memory, as skeletal remains are transformed with embellishments. A mosquito draws blood with its proboscis and hormones are drawn using a syringe, as the remnants of an extracted zone is now overgrown with lifeforms. Supported by the Amarte Fund, KM Hunter Charitable Foundation, and donors who wish to remain anonymous.
Resurrect Me as a Parasite, 2025
Resurrect Me as a Parasite, 2025 - In collaboration with artist and filmmaker Gabi Dao. Exhibition View at Beyond the Commons: From Stardust to Everlasting Sun, A Space Gallery, Toronto, CA.
FIRE FIRE PUSSY CHANEL NO.5, 2025
FIRE FIRE PUSSY CHANEL NO.5, 2025 - Reduction fired red and black clay, oxblood and celadon glazes, personal clothes, synthetic civet based scent. 100 x 90 x 40 cm. An installation of ferocious and nurturing creatures. Fabulous nails combine with fangs, wounds – some self-inflicted – become portals of spiritual energy or stigmata. The hand-built ceramic, olfactory and textiles installation is inspired by research on the colonial history of civet, a substance harvested from the civet’s perineal glands. Civet was used in medicine and scents in Europe since the 15th century but gradually lost its appeal until perfumer Ernest Beaux used it to create Chanel No.5 in 1921. The animal ingredient, long since synthesised, redefined how women desired and were enticed to smell, highlighting the intangible components of gender and identity. Produced on residency at EKWC, Oisterwijk, and supported by CBK Rotterdam and Stichting Stokroos. Installation view: Mondriaan Fund, Prospects at Art Rotterdam, Ahoy, 2025.
FIRE FIRE PUSSY CHANEL NO.5, 2025
FIRE FIRE PUSSY CHANEL NO.5, 2025 - Fired clay, reduction fired clay, glazes, platinum lustre, personal clothes, synthetic civet based scent. 100 x 90 x 40 cm. An installation of ferocious and nurturing creatures. Fabulous nails combine with fangs, wounds – some self-inflicted – become portals of spiritual energy or stigmata. The hand-built ceramic, olfactory and textiles installation is inspired by research on the colonial history of civet, a substance harvested from the civet’s perineal glands. Civet was used in medicine and scents in Europe since the 15th century but gradually lost its appeal until perfumer Ernest Beaux used it to create Chanel No.5 in 1921. The animal ingredient, long since synthesised, redefined how women desired and were enticed to smell, highlighting the intangible components of gender and identity. Produced on residency at EKWC, Oisterwijk, and supported by CBK Rotterdam and Stichting Stokroos. Installation view: Mondriaan Fund, Prospects at Art Rotterdam, Ahoy, 2025.
suckling adult females, 2025
suckling adult females, 2025 - Wax, spray paint. Installation view: Mondriaan Fund, Prospects at Art Rotterdam, Ahoy, 2025.
A Cloud That Bites, 2024 - A Cloud That Bites is a solo exhibition commissioned by Ehrlich Steinberg in Los Angeles, comprising multi-channel video installation, sculpture, photography and drawing. Constructed around two semi-fictionalized characters - Sunbeam and Fowelley - A Cloud That Bites moves between a historical and imagined past, reconstituted through Sainsbury’s own understandings of present and future lifespans. Throughout the exhibition, the artist evokes the spirits and figures of trans ancestors, describing a “process of making communion and communication with the dead”.
u give me wood for unbuilding the house, 2024 - Antique radio cabinet, wax, spray paint, stoneware glazed ceramic, peach pits, paper, text, watercolour pencil, antique glass perfume bottle, Fowelley’s Scent perfume (made in collaboration with Gabi Dao), 30 x 20 x 50 in (76 x 51 x 127 cm). Installation view: A Cloud That Bites at Ehrlich Steinberg, Los Angeles, 2024.
Sunbeam Doll, 2024 - Hand-dyed needle felted sheep’s wool, tumeric, madder root, wooden marionette controller, sewing needle, embroidery thread, freshwater pearls, human hair, stoneware glazed ceramic bones, peach pits, progesterone tablets, estradiol gel packet, dental model teeth, car auto part, dried dandelions, dimensions variable. Installation view: A Cloud That Bites at Ehrlich Steinberg, Los Angeles, 2024.
A Fantastic Body, 2024 - Double-channel 2K video, painted wash, peach pits, color, sound, dimensions variable, 10:40 minutes, loop. A doll of Sunbeam, a cute and chaotic personification of the sun invoking the trans Roman Empress Heliogabalus, is split open, remade and implanted with collected 'resonant' objects - a rib bone, a lock of hair, teeth, pharmaceutical hormones and a peach pit for a brain. Performed by the artist and filmed in her own bedroom and kitchen, the intimate film explores a domestic imaginary for restitching transfeminine histories, a communion with the dead and the sensual reinvention of a body with no end.
A Fantastic Body - A Fantastic Body, 2024. Double-channel 2K video, painted wash, peach pits, color, sound, dimensions variable, 10:40 minutes, loop. Installation view: A Cloud That Bites at Ehrlich Steinberg, Los Angeles, 2024.
Rib Bones, 2024 - Stoneware glazed ceramic, dimensions variable. Installation view: A Cloud That Bites at Ehrlich Steinberg, Los Angeles, 2024.
do you think the dead come back and watch the living?, 2022 - Stained glass, honey, dried flowers, cigarette butts, debris, steel frames. Four panel installation, each 218 x 128 x 3.5cm. Installation view: Earth is a Deadname at Gasworks, London, 2022.
descending notes - descending notes (2022) is an erotic science-fiction film that explores transness as a form of dissonance and resonance. It takes inspiration from Donny Hathaway’s heartfelt rendition of A Song for You, whose lyrics are punctuated by a discordant progression of piano notes: “If my words don’t come together, listen to the melody ‘cause my love is in there hiding… I love you in a place where there's no space or time.” Written and performed with artists Ada M. Patterson and Raffia Li, the film is a cosmic love story between three transing beings whose desire unfolds across time and space, from the sensuality of early Christian sainthoods to future alien intimacies. Grounded in autobiographical experiences of tenderness, solidarity and grief within transgender friendships and everyday life; as the world splits apart, these undercover beings covertly learn to live in transformation and to give each other breath.
Lou Lou Sainsbury [Nov 30, 2021 at 6:12:27 PM]: just a quick one. whats ya date of birth? im putting u as a witness for my trans form, 2022 - Portrait of Lou Lou Sainsbury by Kari Rosenfeld, C-print. Exhibited in Lou Lou Sainsbury: Earth is a Deadname at Gasworks, London, 2022.
dead speak / living happens, 2020 - Hand-dyed sheep’s wool felt, madder root, indigo, turmeric, cochineal, 32.8 x 31.7 in (83.2 x 80.6 cm). Exhibition view: We’ll Be Your Mirror at Ehrlich Steinberg and Herald St for Condo London, 2024.

Visions in the Nunnery: Onyeka Igwe

Datum:
Locatie: Nunnery Gallery
In samenwerking met: Nunnery Gallery & Bow Arts

Visions in the Nunnery is a biennale programme of moving image work hosted at the Nunnery Gallery in London. Exhibiting Artists: Lucy Cash, Kate Clark, Jo Cope, Gabi Dao, Anna Doyle, Duck & Rabbit Projects (Arlene Wandera and Richard Zeiss), Tessa Garland, Onyeka Igwe, Sana Iqbal, Mark Jeffery, Emery Joan, Maria Joranko, Anthea Kennedy, Bo Lanyon, Maybelle Peters, Niyaz Saghari, Lou Lou Sainsbury, Kadie Salmon, Vicky Smith, Wilma Stone, Kialy Tihngang, Sasha Waters, Ian Wiblin and Sheri Wills.

https://bowarts.org/event/visions-in-the-nunnery-2025-p2/

The 69th BFI London Film Festival

Datum:
Locatie: Institute of Contemporary Arts (ICA)

Here, human and more‑than‑human lives intermingle in peculiar ways. Each film uncovers untamed stories where power, survival and transformation twist into unanticipated forms. A programme featuring new film works by Gabi Dao & Lou Lou Sainsbury, Natasha Tontey, Zhenia Stepanenko and Alice Diop.

https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=shadows-of-the-living-lff25&BOparam::WScontent::loadArticle::context_id=

States of Resilience, Museum Arnhem & Down the Rabbit Hole

Datum:
Locatie: Down the Rabbit Hole
In samenwerking met: Museum Arnhem
https://www.museumarnhem.nl/nl/activiteiten/down-the-rabbit-hole-2025

Sick Notes: Anne Boyer

Datum:
Locatie: Goldsmiths CCA

This is an evening dedicated to Pulitzer Prize-winning author and poet Anne Boyer and her blistering memoir, The Undying: A Meditation on Modern Illness (2019). The talk was followed by a Q&A and preceded by a screening of Prowse’s new video work Flare: the muted outline of a body in bed as a camera flash overtakes the scene (2025), and Lou Lou Sainsbury and Kari Rosenfeld’s film The Law of Desire is Fascist (2022), along with a reading session led by the Feminist Duration Reading Group.

https://goldsmithscca.art/event/sick-notes-anne-boyer/

EKWC Artist in Residence

Datum:
Locatie: EKWC
In samenwerking met: Stichting Stokroos, CBK Rotterdam
https://ekwc.nl/kunstenaar/lou-lou-sainsbury/

Alchemy Film and Moving Image Festival

Datum:
Locatie: Alchemy Film and Moving Image Festival

And Enter – in the final shorts programme of Alchemy Film and Moving Image Festival 2025, seven films interrogate the meaning of thresholds, constellations, collaborations and portals. Featuring works by Louis Scantlebury, Weipeng Huang, Ж, Juliana Kasumu, Lou Lou Sainsbury, Martyna Ratnik and Madison Brookshire.

https://alchemyfilmandarts.org.uk/festival-2025-screenings-shorts-and-enter/

Mondriaan Fund: Prospects

Datum:
Locatie: Art Rotterdam, Ahoy
In samenwerking met: Mondriaan Fund
https://www.mondriaanfonds.nl/activiteiten/prospects/

It hûs is net ien, Triënnale fan Beetstersweach

Datum:
Locatie: Kunsthuis SYB

Artist Philipp Gufler pays homage to artist Cosy Pièro with a new live performance titled Remembering Cosy. The afternoon concluded with a conversation about Cosy, followed by a performative reading of A Cloud That Bites by Lou Lou Sainsbury.

EKWC Artist in residence

Datum:
Locatie: EKWC, Oisterwijk
https://ekwc.nl/kunstenaar/lou-lou-sainsbury/

Museumnacht 010: Rapture

Datum:
Locatie: Worm

A night of performances with Shasti, Gabi Dao, XI3LLA, Lou Lou Sainsbury. Personas and semi-fictional characters create ruptures between metaphysical, astrological, paranormal and elemental worlds, including a performance and screening of A Fantastic Body (2024). Curated by Ratri Notosurdirdjo.

https://worm.org/production/museumnacht-010-shake-hands-with-the-city/

We'll Be Your Mirror

Datum:
Locatie: Herald St
In samenwerking met: Ehrlich Steinberg, LA and Condo, London

A group exhibition featuring works with Markus Amm, Alexandra Bircken, Josh Brand, Beth Collar, Coleman Collins, Michael Dean, Trix and Robert Haussmann, Emi Mizukami, Joan Nelson, Joel Otterson, Lou Lou Sainsbury, and Jeffrey Stuker.

https://www.heraldst.com/condo-london-2024

A Cloud That Bites

Datum:
Locatie: Ehrlich Steinberg
In samenwerking met: Amarte Fonds, Mondriaan Fonds

The solo exhibition includes a newly commissioned multi-channel video installation, sculpture, photography and drawing. Constructed around two semi-fictionalized characters - Sunbeam and Fowelley - A Cloud That Bites moves between a historical and imagined past of trans histories, speaking to passages of life and death, resurrection/revival, communion, possessions and invocations, exploring the transformative properties of a body that lives in and of the weather.

https://www.ehrlichsteinberg.com/a-cloud-that-bites

de gang mondt uit gedachten veranderd

Datum:
Locatie: Perdu

An evening of literary readings and performances, featuring my performance General Feeling – a sonically transformative love letter to an alien within, based on rewritten stories from Richard Von Kraft Ebbing's Psychopathia Sexualis.

https://perdu.nl/agenda/de-gang-mondt-uit-gedachten-veranderd/

Mutant Sensualities

Datum:
Locatie: Reading Room Rotterdam, Buitenplaats Brienenoord

How can writing be transformative to our bodies? Reading Room Rotterdam landed at Eiland Brienenoord to host Mutant Sensualities led by Lou Lou Sainsbury. A speculative-fiction writing and foraging workshop exploring how sensual experience can help us rethink and reimagine our troubled relationships to more-than-human-worlds

https://readingroomrotterdam.hotglue.me/?Mutant%20Sensualities

descending notes

Datum:
Locatie: IFFR: International Film Festival Rotterdam

Screening of 'descending notes (2022)', presented in the RTM program 'Dream States'.

https://iffr.com/en/iffr/2023/films/descending-notes

DESCENDING NOTES / LIKE RAIN IN THE ABYSS

Datum:
Locatie: Roodkapje

A solo exhibition comprising video installation, sound sculpture, scent, poetry and drawing, as a remix and expansion of my Gasworks commissioned film 'descending notes (2022)'.

https://roodkapje.org/event/2023-01-opening-descending-notes-like-rain-in-the-abyss-by-lou-lou-sainsbury/

Earth is a Deadname

Datum:
Locatie: Gasworks
In samenwerking met: Humber Street Gallery, Freelands Foundation

Earth is a Deadname is a constellation of work that seeks to reimagine transgender experience beyond the limiting language of medicalization, rewriting its histories into a cosmic poetics of trans sensuality, relationship and desire. Comprising film, sound, stained-glass installation, sculpture and live-performance, the exhibition features collaborations with the artists Ada M. Patterson, Kari Rosenfeld and Raffia Li.

https://www.gasworks.org.uk/exhibitions/earth-is-a-deadname/

Freelands Gasworks Partnership Programme

Datum:
Locatie: Gasworks
In samenwerking met: Freelands Foundation

In 2021 I was awarded the Freelands Gasworks Partnership Programme, consisting of a 3 month residency and touring solo exhibition at Gasworks, London and Humber Street Gallery, Hull in 2022-2023.

https://www.gasworks.org.uk/residencies/lou-lou-sainsbury/

my hole is the place where i call myself a mother

Datum:
Locatie: Well Projects

A solo exhibition by Lou Lou Sainsbury, produced in collaboration with music by Marie Tučkovà and performance by Sarjon, and curated by Kris Lock. Drawing on research into colonial histories, Christian iconography, holes and trans motherhood, Lou Lou Sainsbury presents a multidisciplinary installation that extends through waxy poetics and knotted, spiraling time forms as a distillation of historical consciousness and an allegory for love, caring and listening.

https://wellprojects.xyz/exhibitions/my-hole-is-the-place-where-i-call-myself-a-mother/

The Future Is Now - Tate Lates

Datum:
Locatie: Tate Modern

An evening of performance, workshops and discussions, featuring my performance 1667: Not Alive, Just Living (2019). A video installation and performed exorcism to ignite the spirits of Arthur Coga – a late recipient to the 17th century non-human to human blood transfusions of the French physician, Jean-Baptiste Denis, who made numerous attempts to transfer the spirit of the lamb ( via blood) into sick human patients to heal them.

https://www.tate.org.uk/whats-on/tate-modern/olafur-eliasson/future-near
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