Max Fletcher

Taal, schilderen, performance, Geschiedenis, Experimenteel, Educatie, collage, Artistiek onderzoek, Archieven

Max Fletcher (1990, UK) is an artist currently based in Rotterdam. His work is rooted in the space between literary form and political representation. Literature, social history and archival documents provide source material from which we can analyze the past to make sense of the present. The formal idiosyncrasies of untranslated texts, children's stories, forgotten plays and footnotes have all provided the generative basis for recent work. Max studied at Central Saint Martins, Beaux-Arts de Paris and at The Ohio State University, where he was a Teaching Fellow. From 2019-2021 he was an artist in residence at the British School at Rome. Recent exhibitions include The Independent at MAXXI Museum of Art (Rome, IT), John Moores Painting Prize at The Walker Art Gallery (Liverpool, UK), Fuori le Mura at Lido di Ostia (Ostia IT), Mostra at The British School at Rome (Rome, IT) and Happy Days with Apsara Studios (London, UK).

Ostia Ragno (2021)
Ostia Ragno (2021) - The painting is an enlarged version of a Giuseppe Scalarini cartoon from 1921, and was an image that Italian economist Piero Staffa kept a copy of. Soon after Antonio Gramsci was imprisoned, Sraffa moved to Cambridge, where he would remain for the rest of his life. From abroad he was key to the efforts to get Gramsci released, drawing international attention to his plight as well as supplying him with books, pens and notebooks. The cartoon depicts six arms of the capitalist state: nationalism, industry, military, religion (in this case Christianity), agriculture and justice. I left the painting on the beach at the end of Ostia Lido in January 2021. Behind the painting is the port, the site of a small funfair where fairground music plays. Six months on, the painting was still there. The stretcher bars had been gutted and it was cable tied to the mesh fence. Beside it, two kites had been added.
When Piuma Knocked Out His Friend Massimo (with Andrea Celeste La Forgia) 2024
When Piuma Knocked Out His Friend Massimo (with Andrea Celeste La Forgia) (2024) - A woodcut print serving as a poster for a performance. The performance was a staged reading of a collaborative translation of an Elsa Morante story.
El Nost Milan
El Nost Milan (2021) - Painting based on a Carlo Bertolazzi dialect play, written in the late 1890s. The image of a clown from Bertloazzi's play sits atop a page from a Louis Althusser essay, reviewing the play.
1906
1906 (2024) - Woodcut print illustrating the burning of cheese factories in 1906, Sardinia. This was a pivotal moment for Antonio Gramsci, who felt it signalled a switch from the romantic figure of the bandit to collective action.
The Tables Turned
The Tables Turned (2020) - Redacted and enlarged page from William Morris's 1890s socialist play, The Tables Returned:, Or, Nupkins Awakened.
Happy Days (2024)
Happy Days (2024) - Etching based on the marginalia in the notebooks for Samuel Beckett's play, Happy Days.

Reading for Ludd Gang

Datum:
Locatie: Index Poetry
In samenwerking met: Andrea Celeste La Forgia

A short staged reading as part of a series of performances at Index Books in Leiden. The performance is an adapted version of a piece first performed at Rib art space in Charlois, Rotterdam, July 2024.

https://www.indexbooks.nl/poetry.php?actie=events&menu=Events
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