"When I look around, I see a lot of technology that aims to constrain reality in predictability, by categorizing and automating. I want to use technology to evoke wonder and transcend reality and predictability.
I like to visualize things that were previously unseen and in that sense enrich my experience of reality. That is for me the incentive to make use of experimental video and animation techniques. Devices such as cameras, scanners and image processing algorithms I see as an extension of my senses. With these tools I manipulate images that are like anchors in time for me, but also images from my urban backyard: my condition urbaine.
In the same manner as a sculptor gives his material form through interventions in 3d space, I construct my videos in time. Recurring themes are examining human perception, experiencing time, disorientation and instability. "
Into The Great Wide Open
Site specific outdoor presentation of video on big screen in forest setting.
Transgression art + technology Pavilion
celebrating digital culture since 2o13, the wrong is a collaborative effort harnessing the potential of the internet, shaped as a decentralized global art biennale and tv channel, open to participation, happening both online and offline, awarded with sois cultura 2o19 and ehrenerwähnung at s+t+arts 2o2o
“counting its viewership in the millions, the wrong just might be the world’s largest art biennale — the digital world’s answer to venice” - the new york times
Lucas Gassel Revisited
Hedendaagse kunstenaars uit binnen- en buitenland laten zich inspireren door de 16e-eeuwse landschapsschilder Lucas Gassel.