ramón jiménez cárdenas

sculptuur, residency, land art, keramiek, installatie

ramón jiménez cárdenas (b. Oaxaca, Mexico. 1996) ramón jiménez cárdenas is an artist and a curator based in Rotterdam. He is also a curator at La Clínica, an artist-led exhibition space and artist-in-residency in Oaxaca, Mexico.

jiménez cárdenas' practice is rooted in problematizing auto-ethnographical methods through object making, and installations that address design's influence in modernity. His work is characterized by his exploration of the aesthetics of modernism as a colonial apparatus of separation. Interested in the representation and construction of the other, and the weaponization of desire.

As an artist his work has been exhibited in venues such as the 5th Istanbul Design Biennial, Sullivan Galleries in Chicago, YNGSPC, Jonald Dudd in NYC, Onomatopee Projects in Eindhoven, Salon Acme and Guadalajara 90210 in Mexico City, and the Amsterdam Ferry Festival. He has been involved in residencies at another world, Rib Rotterdam, and EKWC. His SAIC graduation project, Mending Wall, is currently on display at the Museum of Applied Arts in Vienna (MAK).
As a curator for La Clínica, ramón has consolidated the artistic production of international artists, curated exhibitions that address gender and matter, and facilitated partnerships with the Stimuleringsfonds, the Utrecht School of the Arts (HKU), Pro Helvetia, and the Canadian Council for the Arts.

ramón holds an MA/HBO in curatorial studies and critical theory from the Design Academy Eindhoven, and a BFA in sculpture and art history from the School of the Art Institute of Chicago.

On the trail of non-human peregrinations
On the trail of non-human peregrinations - Heavy duty hardware, glazed ceramics, fishnet 100 x 190 cm 2024 The hammock does not have a singular origin story, but originates in several places worldwide. Variety mostly comes from the different weaving techniques that are used to create them. This hanging seat was introduced on boats in part to reduce seasickness. Various non-human entities have been woven into the hammocks in this exhibition. Ramón Jiménez Cárdenas was inspired by gourds like the squash – a vegetable that migrated on its own across the ocean between different continents. Ferry passengers are encouraged to take place in the hammock on their journey, amid all other human and non-human travelers with whom they share the space. Each is on their way to their own destination, moving between different locations and ways of being. How does your environment and the way you can use it influence your journey? With thanks to Kara Noble & Blise Orr for their ceramics expertise *Images by Petra Katanic courtesy of AFF
Sounds from Rib's crawlspace
Sounds from Rib's crawlspace - Made in collaboration with Akina Thais during our Summer Rib Residency Saxophone mouth piece, soldered copper pipes, crawlspace floor door, video and projection Variable dimensions, 8min video loop 2024
vo'a poner un escrín
vo'a poner un escrín #2 - ceramic, high temperature glazes 40 x 55 x 1 cm 2023
vo'a poner un escrín
vo'a poner un escrín - unfired clay and steel structure 200 x 220 x 100 cm 2023
You’ve Made Your Bed Now Lie in It
You’ve Made Your Bed Now Lie in It - Repurposed tubular chair, cyanotype on cotton paper 35 x 35 x 70 cm 2023
La historia del equipal
La historia del equipal - Petate intervened with feathered thread 130 x 185 2022
Mending Wall - powder coated rebar and steel (e.g. 30 x 25 x 25cm) 2018

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