Vlada Predelina

textiel , sociaal-maatschappelijk , natuur , keramiek , interactief , installatie , Gender , Ecologie , DIY , Conceptueel , Communicatie , Community , Artistiek onderzoek

Vlada Predelina is an artist working across food, natural dyes, bioplastics, ceramics, moving image and installation. Her work explores relationships between food, land, place and memory. She uses food as a methodology for accessing knowledge: cooking, growing, foraging, preserving and eating become ways of tracing personal and collective memory, situated histories, migration, cultivation and forms of knowledge carried through gestures, recipes and everyday practices. Her work often begins with a material or food process and develops through gathering, making and paying attention to what emerges from it. She often works collaboratively and collectively, creating gatherings, gardens, workshops and temporary situations through which people can share knowledge and experiences. She has worked with Eathouse Collective and Kunstlab+Buren, and is part of the Buitenplaats Brienenoord community. She is currently developing Garden of Tongues, a long-term research project at Can Serrat Art Residency, exploring relationships between food, body and land through growing, harvesting, cooking and preserving with other residents and local communities. Her and her collective work has been shown at Chilometr01 with BJCEM, Milan (2026), Brutus, Rotterdam (2025), West Den Haag, The Hague (2022), Kunstinstituut Melly, Rotterdam (2021–2022), Roodkapje, Rotterdam (2019), and LOA Gallery, London (2019). She has also worked through food and catering projects with Kunstinstituut Melly, Nieuwe Instituut, Casco Art Institute, De Appel, Arts Collaboratory, Printroom Rotterdam, WORM, BAK basis voor actuele kunst, documenta15, Paviljoen aan het Water, Buitenplaats Brienenoord, Rotterdamse Munt, and The European Pavilion.

Recepere (Recipe, Receipt) @ Chilometr01, Milan, Italy (Art Feeds Collective Residencies, 2026)
Recepere (Recipe, Receipt) @ Chilometr01, Milan, Italy (Art Feeds Collective Residencies, 2026) - Recepere (Recipe, Receipt) draws on the Latin recepere: to receive, gather, recover, and gives its linguistic roots to recipe and receipt. Developed through field research, harvesting and cooking across eight gardens and farms in Milan, the project took the form of a participatory tasting installation. Visitors navigated the city through randomly paired ingredients, while printed receipts attached to each dish acted as records of ecological exchange, linking food, place, and collective care. The installation took the form of a long dining table displaying seeds, harvested fruits and vegetables, garden cuttings, and traces of cultivation alongside eight tasting dishes. Each dish was accompanied by a printed "receipt" identifying the garden of origin, the ingredients harvested there, and the distance travelled. Borrowing the visual language of commercial transactions, these receipts became records of ecological exchange, documenting the movement of plants and labor from garden to table. Together we tasted the city through a walk on the table, which combined different flavors of ingredients harvested from the city of Milan soil. By bringing together recipes, receipts, mapping, and collective eating, the project invited visitors to navigate Milan through taste, revealing the often invisible urban food cultures. Recepere (Recipe Receipt), 2026, presented at Chilometr01, Milan, IT. Project supported by Creative Europe, BJCEM, Municipality of Milan, Milan Urban Food Policy Pact, Xarkis, Rede DLBC Lisboa, Municipality of Almere, Metropolitan Agency Brașov, ActionAid Hellas, IED Barcelona. Image credit: Sofia Alice Russo
Recepere (recipe, receipt) (2026)
Recepere (recipe, receipt) (2026)
Garden of Tongues @ Can Serrat, El Bruc, Barcelona, ES (2025 - ongoing)
Garden of Tongues @ Can Serrat, El Bruc, Barcelona, ES (2025 - ongoing) - Garden of Tongues is the artistic conceptual framework for the long-term research and maintenance of the land between Can Serrat International Art Residency, Vlada Predelina and Michael McMahon. It seeks to look into the relationship of the human body to the soil both in terms of sustainable agricultural practices and in relation to the larger ecological dialogue. The body is constantly connected to the soil through the food we consume. How does taste dictate what is grown? How does one's tongue affect the soil? No matter, whether one is a city dweller in an apartment with a fridge containing packaged carrots, or a villager in the countryside picking a carrot from the ground, the tongue will indirectly be touching the soil through the process of eating. We take this image as the idea behind tending to the garden at Can Serrat and using the existing vegetation and fruit trees to cook for and with the residents and the local community of El Bruc and beyond in order to connect their tongues to the soil. On a practical level this involves garden maintenance, picking and preserving of fruits and herbs, observation and making a vegetable garden, researching gardening techniques, workshops with residents and local communities, as well as writing and drawing observations, composting and using waste to make biomaterials. Project seasonal 2025 - ongoing at Can Serrat. Project supported by Generalitat de Catalunya.
Garden of Tongues
Garden of Tongues
Wheat to the Chaff @ Muijala Art Place in Reila, Finland, BRUTUS and Buitenplaats Brienenoord (2025)
Wheat to the Chaff @ Muijala Art Place in Reila, Finland, BRUTUS and Buitenplaats Brienenoord (2025) - Wheat to the Chaff is a performance and an in-situ installation using dough. Chaff is the husk, the outer covering of the grain that is inedible and has to be separated from the useful part (the kernel) before milling. When people say “separate the wheat from the chaff,” they mean sorting out what's valuable from what's worthless like truth from lies, wisdom from noise, or nourishment from waste. The title Wheat to the Chaff, relates directly to the land and its uses for metals, as well as the written / re-written / un-written history and impacts on the region. The work is based on personal memory and connection to the regional metal production. During a residency at Muijala Art Place residency I was able to use somatic method to access stories that are stored within my body through the simple action of making and manipulating dumpling dough. The similarity in both climate and landscape of the area of ​​​​​​​​​​​​​​​​​​Ural Mountains where I was born provided an immersive experience which facilitated personal memories to come to the forefront and to eventually use as material for this work. I spent time doing a daily meditation whilst manipulating dough as a somatic method to access knowledge stored within my body consisting of memories, drawings, movements, gestures, and singing. The outcome is an in-situ installation and a 30 minute performance based on the collected material. Wheat to the Chaff was presented at Muijala Art Place in Reila, Finland, at BRUTUS and at Buitenplaats Brienenoord in Rotterdam, NL. Project supported by CBK Rotterdam. Image credit: Roos Hermsen
Wheat to the Chaff
Wheat to the Chaff
to amplify, to strengthen @ an other world project space (2024)
to amplify, to strengthen @ an other world project space (2024) - To Amplify To Strengthen is an immersive four-channel sound installation based on multiple cooking conversations whilst making pelmeni. Pelmeni is a Russian national dish with a nomadic history and a name originating from Udmurt language, meaning 'ear-bread' due to its shape. I use pelmeni as a tool for an ongoing project of listening and collecting hidden knowledges. During the cooking sessions there were a selection of prompts and questions to guide the conversation. Each conversation revealed personal and familial memory, history of a particular region with its spoken and forgotten languages ​​and/or traditions, as well as an oral recount of past and ongoing homogenization. This project seeks to find an answer to how can these knowledges or oral histories be amplified through an artistic practice. The cloth represents the dumpling dough that was used during the cooking process. It also serves as the theatrical reveal of the hidden (hi)story that is highlighted and amplified. The speakers are positioned onto the stands at a human height. While the loudspeaker represents the human head, it hints towards a Soviet history and also the current reality of propaganda announcements. Each conversation has been edited in a way that the segments of the story can be heard but the voice is distorted. Each rolling pin has been carved to fit the shape of the participants' hands in order to depict their physical touch and presence within the installation to accompany the shared knowledge. Sound design: Olivier Terpstra. Project supported by Mondriaan Fund & CBK Rdam.
to amplify, to strengthen
to amplify, to strengthen - Image credit: Jake Caleb
to amplify, to strengthen (detail)
to amplify, to strengthen (detail)
Island Ears @ Buitenplaats Brienenoord (2023-2024)
Island Ears @ Buitenplaats Brienenoord (2023-2024) - Island Ears is a collective research and artistic intervention project at/with the Brienenoord Island. This research looks closely at the history of this relatively young man-made urban island, with the long term aim to give it its own voice and eventually its own rights as a natural park. For this, Clara Harmssen, Ishtar Bakhtali, Maurice Specht and Vlada Predelina have been thinking about being together with the island, through eating, observing, feeling and listening in order to find ways to amplify its voice, its story and its hopes for the future. During the period of a year, we organized free public events open for everyone to join us for a day of foraging sounds, tastes, histories and futures. We provided the tools, so that anyone could be a researcher alongside us, with the emphasis on deep listening, observation and opening of the senses. These were whole day events with lunch provided by us and the island. Exercises included: foraging wild tea herbs and edible plants, making recipes from collected plants, dérive mapping, drawing the island map to locate plants, sounds, birds or unusual points of interest, deep listening, using zoom and underwater microphones for recording sounds to make collective sound piece. Island Ears project has paved the path for the Buitenplaats Brienenoord towards becoming a Zoöp. The Zoöp project was started in 2022 by the Zoönomic Institute (in connection with Nieuwe Instituut) which underlines the necessity to move away from a human-centric worldview towards embracing a broader perspective that includes all life forms. An organization becomes a Zoöp by adding a person with a special function: a Speaker for the Living. First of all, the Speaker is a person with a good ear and eye for the interests of other-than-human life in the operational sphere of the Zoöp. The Zoöp approach underlines the necessity to move away from a human-centric worldview towards embracing a broader perspective that includes all life forms. Since 2025, Buitenplaats Brienenoord is a Zoöp.
Island Ears
Island Ears
take from the table, bring to the table @ Refractions, BAK, basis voor actuele kunst (2023)
take from the table, bring to the table @ Refractions, BAK, basis voor actuele kunst (2023) - Installation with activations, wheat dough, digital projection The work invites the viewer to look at pelmeni, a specific type of dumpling and national dish of Russia, through multiple lenses. From pelmeni as sustenance of the nomadic people of the Ural region; to conquerors consuming pelmeni and regional culture whilst expanding maps of Imperial Russia; and then from the perspective of personal memories in the privacy of a domestic kitchen. It is a recipe preserved and passed on from generation to generation, from hands to hands and from East to West. Inspired by Anja Novak's essay 'Dishing Up Colonialism', the work intends to connect cartography and cuisine in an edible installation. The research is situated in the Ural mountains, the birthplace of the artist and its presentation consists of 2 activation moments: ' 1 Taking from the table' - table folded into upright position for a lecture-performance of systematic act of cutting of the dough as landscape divided and conquered. This activation looks at the colonial history of, and impacts on the Ural region. The cutting of the dough landscape acts as a metaphor for the loss of land, ways of being and cultures that have lived here, juxtaposed with the land uses of today. '2 Bringing to the table' - table unfolded for larger surface to allow a collective, conversational cooking session with invited guests focused on intimacy and listening. This activation is a guided conversation around the table where the special invited guests bring personal stories connected to the context of Russian colonialism whilst making edible sculptures. Shown at BAK, basis for contemporary art, Utrecht as part of Refractions co-curated with Katia Krupennikova. Images credit: Chun-Yao Lin
Pelmeni: A Cooking Conversation @ WEST Den Haag (2022)
Pelmeni: A Cooking Conversation @ WEST Den Haag (2022) - A conversational cooking workshop that looks into the origins of pelmeni from the semi-nomadic Uralic hunters' sustenance to their present status as a national dish of Russia. The name originates from the Udmurt language: pel' nyan' meaning 'ear bread'. Using them as a listening tool, we opened up discussions about unwritten histories, knowledges and their meaning in the current context. It is part of a longer research that looks at the history of the Ural & Siberia. Various renditions of the dumpling-making workshop have taken place in locations such as Roodkapje Rotterdam, HKU Utrecht, Buitenplaats Brienenoord, Rotterdam, and Can Serrat, Barcelona. This specific workshop took place as part of public program of 'Bottleneck' exhibition by Katerina Sidorova, The workshop took place as part of public program of 'Bottleneck' exhibition by artist Katerina Sidorova that was informed by a critical juncture in Russia's contemporary history through the protest of May 6, 2012 when a peaceful demonstration for fair elections was shut down violently by the authorities. A moment that changed the country's history and which enabled the spiral of violence and authoritarianism to unfold. Presented at WEST The Hague, The Hague. Curated by Yannik Güldner. Image credit: Dana La Monda
Pelmeni: A Conversation Cookbook (2021-2022)
Pelmeni: A Conversation Cookbook (2021-2022) - 'Pelmeni: A Conversation Cookbook' presents the starting point of an investigation into the histories of pelmeni, a type of dumpling originating from nomadic peoples of the Ural mountains. Over a course of four small pelmeni-making sessions with women from different backgrounds, I collected oral histories of language, food and practices of home in 2021. This is part of a longer-term project that looks into the origins of pelmeni from hunters' sustenance to their present status as a national dish of Russia. Alongside looking into this history of assimilation through the expansion of the Russian Empire, I also seek to set down minor histories: stories of day-to-day life for women who have moved to the Netherlands from elsewhere. The collaborative making of pelmeni—literally translated from Udmurti as ear-bread—foregrounds cooking together as a time for listening. The workshops took place in Rotterdam and Utrecht, in the autumn of 2021 in English, Dutch and Russian languages. The book is available for sale: Rotterdam: PrintRoom, KIOSK & Kunstinstituut Melly; Amsterdam: Framer Framed; London: South London Gallery; Newcastle upon Tyne: The NewBridge Project. RISO Printed with PrintRoom. This project is supported by Stichting Droom en Daad and PrintRoom Rotterdam. Publication launched at LIFE, Rotterdam with special thanks to Ash Kilmartin.
Eathouse  (2020 - 2025)
Eathouse (2020 - 2025) - Eathouse is an artist cooking collective set up in 2020 by Ulufer Çelik, Merve Kiliçer, Vlada Predelina, and Jake Caleb. In their practice they explore the potential of food as an artistic method. We do this to instigate dialogue in ways that the culinary informs the social. We have hosted public events, kitchen takeovers, fundraisers and online broadcasts. In addition we invite other artists engaging with food to share their research with a wider audience. We are based in Rotterdam, NL. For the 2020 summer season, Eathouse hosted the restaurant at Paviljoen aan het Water. In Summer Season 2021 Eathouse Collective were running LIVE FEED: a set of 4 broadcasted events where we took a look at specific dishes we cook, and opened up discussions about their histories to find out what draws us to them and how we gather and form a community around them. In late 2021 and early 2022 we hosted SESSIONS at Kunstinstituut Melly. In Summer Season 2022 we took a residency at Lemon House during dOCUMENTA15 and cooked at PAKGHOR kitchen by Britto Arts Trust. In 2023 we created a series of conversational dinners called 'Tongue Twisting Dinners' where we explored ways of initiating critical dialogue around contemporary urgencies. These took place in 'an other world' project space in Rotterdam. Additionally, we have worked on events and themed meals with Kunstinstituut Melly, WORM, Nieuwe Instituut, Casco Art Institute, De Appel, Buitenplaats Brienenoord, Rotterdamse Munt, Paviljoen...aan het Water, Printroom Rotterdam, Reading Room Rotterdam Eathouse has been supported by CBK R'dam, Municipality of Rotterdam, Kunstinstituut Melly, South Explorer, ICU art projects.
Eathouse SESSIONS @ Kunstinstituut Melly (2021 - 2022)
Eathouse SESSIONS @ Kunstinstituut Melly (2021 - 2022) - Sessions were a series of events curated in partnership between Eathouse collective and Kunstinstituut Melly. With these events we opened up discussions about land, sense of place, care and gathering around food with the aim of creating a space where these ongoing dialogues can happen. Each session focused on specific recipes, ingredients, and methods of cooking and preservation. Invited session guests: > Bérénice Staiger - AT THE TABLE session, which used a book of recipes, memory sharing, and community food installations to build intimacy > Charli Herrington & Gordon H. Williams (Family Dinner) session - And You Plan And You Gather film screening and collective amaro-making workshop exploring community care, and hospitality while focusing on the many ingredients that constitute community-based projects, > Alejandra López & Lena Longefay session - collaborative edible installation investigating the mystical concept of "Infusion" and medieval food healing based on Saint Hildegard, > Ulufer Çelik & Sennur Turgut session - a Gömbe poppy seed bun cooking event step-by-step demonstration, accompanied by a lecture presentation focusing on the dual nature of opium harvest in Doganhisar village (Turkey) in relation to ecology, pain tolerance, and womanhood. Image credit: Veronika Babayan
Eathouse SESSIONS
Eathouse SESSIONS
Eathouse Tongue Twisting Dinners
Eathouse Tongue Twisting Dinners
'Colours of Wielewaal' @ Growing Space (2020)
'Colours of Wielewaal' @ Growing Space (2020) - Colors of Wielewaal is a project researching the notion of being more connected to the land and the surroundings by using natural dyes gathered in and around the Wielewaal neighbourhood. The choice of material came from a need to feel grounded during the lockdowns as well as to feel more connected to the local environment and land. I used the all-round visibility of the glasshouse to make an installation to make visible the domestic labor. The installation is made of dyed fabrics to resemble drying laundry. The installation also served as an invitation for the workshop aimed at the local residents and neighbors, the workshop ended with the dyed fabrics to be hung to dry on the additional washing lines. During the workshop, the colors were cooked in situ from walnuts that were gathered from trees nearby and food scraps that came from the local tables. The project was exhibited at Growing Space, Rotterdam with help from Carmen José and local neighbours. Supported by CBK Rotterdam, NAC Foundation, Charlois Speciaal and Groot Rotterdams Atelier Weekend. Image credit: Carmen José
Colours of Wielewaal
Colours of Wielewaal
3 O’Clock @ Leave of Absence Gallery, London (2019)
3 O’Clock @ Leave of Absence Gallery, London (2019) - 3 O'Clock is an attempt to is an attempt to record and remember to my old home and the first half of my life in Ekaterinburg, Ural, Russia. It seeks to combine the feeling of home, the geographical location and the domestic work that are all required in order for the feeling to exist. I went back to Ekaterinburg and filmed my grandmother making her infamous borsch from her Ukrainian roots that I used to eat often after coming back from school. The film is a step-by-step cooking recipe, it is projected onto a drying bedsheet on a washing line with a printed pattern of the housing black shape; this simultaneously symbolizes daily housework and geographical location. The cooking pot was placed on a pedestal as an attempt to highlight the often unseen reproductive labor. Shown at Leave of Absence Gallery, London, curated by Yu'an Huang. Image credit: Yu'an Huang
3 O'clock (details)
3 O'clock (details)
SHOWROOM @ Roodkapje (2019)
SHOWROOM @ Roodkapje (2019) - Showroom is a solo exhibition as part of the HCA Residency at Roodkapje, Rotterdam. It is an installation in situ in a location known as the Schieblock which is full of young creatives. It is situated next to a small and important community garden, called Vredestuin. As a newcomer to the city, the feeling of being uprooted brought a need for a reflection on the location and its immediate surroundings. I could sense parallels with the housing situation in London where I lived previously, as this entire area is planned to be redeveloped and will be replaced by luxury apartments. The installation itself is a showroom apartment, but instead of the immaculate turn-key finish, it is a display and a celebration of all the elements of domestic life, community and the local. I used the showroom as a framework for on-going research into the meaning of home. Ceramic shapes and embroidery depict areas that represent the feeling of home through daily routes, routines and other important rituals that were explored in an earlier guided conversational workshop. These were created using a table with digital maps on which shapes and sculptures were created to represent these routines. Showroom was used as a framework for research into the meaning of home. Ceramic sculptures, embroidered sheet, curtains and clothes on the drying rack depict areas that represent the feeling of home through daily commutes, routines and other important rituals. Exhibition visitors are invited to look through the window and encounter a view onto the ceramic city-scape made up of the geographical elements arranged into a more abstract idea of ​​a city completely full of meaningful interactions of each participant's daily life. Shown at Roodkapje, Rotterdam. Co-curated with Joannette van der Veer. The exhibition finished with a vegan caviar dinner in collaboration with Roodkapje chef Paul Mullenberg. Image credit: Nick Thomas
SHOWROOM
SHOWROOM

Art Feeds Collective Residencies

Datum:
Locatie: BJCEM, Chilometr01

The Art Feeds Collective Residencies are a transnational residency program under the Feed Your Future project, exploring the curatorial theme "Edible Commons: Performing the Future of Food". Five European host cities including Paphos (Cyprus), Milan (Italy), Almere (Netherlands), Brașov (Romania), and Thessaloniki (Greece), Co-funded by the European Union through Creative Europe.

Entorns x Can Serrat Residency

Datum:
Locatie: Can Serrat residency & Entorns residency

Can Serrat x Entorns is a collaborative residency and grant initiative split between the international art production residency Can Serrat, El Bruc near Montserrat mountain and the creative space and research art residency Entorns in Músser in the Catalan Pyrenees with a focus on creative projects that emphasise process, community interaction and dialogue between art and local contexts with time spent at both locations.

Wheat to the Chaff

Datum:
Locatie: BRUTUS

Traces We Keep - Wild Summer of Art 2025

Datum:
Locatie: BRUTUS

Soft fascination

Datum:
Locatie: Taidetila Muijala

Wheat to the Chaff

Datum:
Locatie: Buitenplaats Brienenoord

Muijala Art Place residency

Datum:
Locatie: Muijala Art Place

Volle Leegte Residency Buitenplaats Brienenoord

Datum:
Locatie: Buitenplaats Brienenoord

Grafted #5 Radio WORM

Datum:
Locatie: 2024 International Architecture Biennial Rotterdam

In samenwerking met: Ash Kilmartin

Can Serrat residency

Datum:
Locatie: Can Serrat, Barcelona
In samenwerking met: Merve Kilicer and Ulufer Celik - Eathouse

Home - Made

Datum:
Locatie: Paviljoen aan het Water
In samenwerking met: Julija Mockuté & Parel Strik

Family Dinner- Supermarket Art Fair, Stockholm

Datum:
Locatie: Supermarket Art Fair, Stockholm
In samenwerking met: Charli Herrington and Gordon H Brown

to amplify, to strenghen

Datum:
Locatie: an other world project space
In samenwerking met: Olivier Terpstra

Island Ears

Datum:
Locatie: Buitenplaats Brienenoord
In samenwerking met: Clara Harmssen, Ishtar Bakhtali, Maurice Specht

The initiative centers on the unique ecology of Brienenoord Island, a relatively young, man-made urban island located in the middle of the Nieuwe Maas river. The long-term mission of the project is to amplify the island's voice, history, and future hopes, with the eventual goal of advocating for its legal rights as a protected natural park. It explores our ecological relationship with the island through tasting, foraging, deep listening, and sensory observation.

take from the table, bring to the table @ refractions

Datum:
Locatie: BAK, basis voor actuele kunst

The work invites the viewer to look at pelmeni, a specific type of dumpling and national dish of Russia, through multiple lenses. From pelmeni as sustenance of the nomadic people of the Ural region; to conquerors consuming pelmeni and regional culture whilst expanding maps of Imperial Russia; and then from the perspective of personal memories in the privacy of a domestic kitchen. It is a recipe preserved and passed on from generation to generation, from hands to hands and from East to West.

https://www.predelina.com/take-from-the-table-bring-to-the-table

Mapping Pelmeni: Presentation @ Food and Body in Colonial Contexts in Pre-modern Times (1600-1900)

Datum:
Locatie: University of Regensburg
In samenwerking met: University of Regensburg/Ludwig Maximilian University of Munich

Presentation of research

Tongue Twisting Dinners (Eathouse)

Datum:
Locatie: an other world
In samenwerking met: Jake Caleb, Merve Kilicer, Ulufer Celik

Tongue Twisting Dinners is a series of four monthly dinners hosted by Eathouse. The dinners explore ways of initiating critical dialogue around contemporary urgencies by bringing people and culinary practice together. Over four monthly dinner sessions, the dinners explored ways of initiating critical dialogue around contemporary urgencies by bringing people and culinary practice together. For each session Eathouse hosted a specific topic with invited guests.

https://eathouse.hotglue.me

Pelmeni: A Cooking Conversation @ WEST Den Haag

Datum:
Locatie: WEST Den Haag
In samenwerking met: Katerina Sidorova, Yannik Güldner

Guests will cooked pelmeni with a research talk of the origins of pelmeni from the semi-nomadic Uralic hunters' sustenance to their present status as a national dish of Russia. The name originates from the Udmurt language: pel' nyan' meaning 'ear bread'. Using them as a listening tool, we opened up discussions about unwritten histories, knowledges and their meaning in the current context.

https://www.westdenhaag.nl/exhibitions/22_07_Katerina_Sidorova/more1

Eathouse @ Pakghor the social kitchen, Britto Arts Trust

Datum:
Locatie: documenta fifteen
In samenwerking met: Britto Arts Trust

Eathouse did a kitchen takeover at the project Pakghor social kitchen organized by Britto Arts Trust at documenta fifteen

https://eathouse.hotglue.me/Pakghor_Social_Kitchen

Tuinlab

Datum:
Locatie: Atelier Bornerveld
In samenwerking met: Kunstlab + Buren

Tuinlab is an ongoing garden project in collaboration with artists, neighbors, and children, exploring the possibilities of connecting through art, research, nature, embodied knowledge, getting hands dirty, and learning about the origins of food. It's about learning, about being together, about people's relationship with each other (both humans and plants), through a set of activities and interventions in and around the garden such as grass-weaving and cooking.

https://www.instagram.com/tuinlab169/

Pelmeni: A Conversation Cookbook

Datum:

'Pelmeni: A Conversation Cookbook' presents the starting point of an investigation into the histories of pelmeni, a type of dumpling originating from nomadic peoples of the Ural mountains. Over a course of four small pelmeni-making sessions with women from different backgrounds, I collected oral histories of language, food and practices of home in 2021. The collaborative making of pelmeni—literally translated from Udmurti as ear-bread—foregrounds cooking together as a time for listening.

Eathouse LIVE FEED

Datum:
Locatie: Attent Projectruimte, Peach, Paviljoen aan het Water, Kunstinstituut Melly
In samenwerking met: Jake Caleb, Merve Kılıçer and Ulufer Çelik

In Summer Season 2021 Eathouse Collective were running LIVE FEED: a set of 4 broadcasted events where we took a look at specific dishes we cook, and opened up discussions about their histories to find out what draws us to them and how we gather and form a community around them.

Homeware for Hibernation

Datum:
Locatie: LIFE
In samenwerking met: Jake Caleb

An autumnal homeware collection produced for a shop called LIFE. Thinking along with annual rhythms of growing, collecting and storing, the artists gathered organic materials on walks and in the kitchen over the summer and early autumn to make naturally dyed textiles. This was accompanied by candles cast in recycled bottles, analogue photographs of mushrooms in the woods and reading lamps.

https://www.ashopcalled.life/past-life

drop by dip dye

Datum:
Locatie: Groot Rotterdams Atelier Weekend

Natural dye workshop

https://www.grootrotterdamsatelierweekend.nl/

Colours of Wielewaal

Datum:
Locatie: Growing Space

Colors of Wielewaal features new work made using natural dyes gathered in and around the Wielewaal neighborhood. It celebrates a moment of a recent interest in making natural colors from plants and food scraps in order to be more connected to the land and our surroundings as a way to feel more at home.

https://growingspacewielewaal.hotglue.me/

Publieke Werken

Datum:
Locatie: Poster exhibition around Rotterdam
https://publiekewerkenrotterdam.nl/

Eathouse

Datum:
Locatie: Paviljoen... aan het Water
In samenwerking met: Jake Caleb, Ulufer Çelik, Merve Kılıçer

Eathouse is an initiative set up by Ulufer Çelik, Merve Kılıçer, Vlada Predelina and Jake Caleb to provide simple, affordable food and a generous meeting point for people living in Rotterdam-South. For the 2020 summer season, Eathouse cooked and hosted the restaurant at Paviljoen ... aan het Water.

https://charloisaanhetwater.nl/

Off-Grid

Datum:
Locatie: Online as part of The Wrong Digital Art Biennale and at locations including Banner Repeater and Tate Britain
In samenwerking met: Compiler
https://compiler.zone/off-grid-router/

3 O’Clock: Migration as an act of art, ritual as a method.

Datum:
Locatie: Leave of Absence Gallery

It Boils Down

Datum:
Locatie: Pure Propaganda

15 Hours (during Schnittserie)

Datum:
Locatie: HOK Gallery
In samenwerking met: Leonor Jonker

SHOWROOM

Datum:
Locatie: Roodkapje

Ceramic Stories

Datum:
Locatie: Roodkapje

Ceramic Stories is a series of workshops for looking closely at daily routines and other personal rituals that make us feel grounded. This could be brushing teeth, doing some basic housework or walking to the shop to get groceries. An exploration of everyone's day-to-day life to larger events.

Pelmeni

Datum:
Locatie: Roodkapje and Vredestuin

An invitation to share a personal moment of dumpling making at the grandparents' apartment. After not seeing them for a long period of time and discovering their figures on Google Maps' image captured outside of their house, there was an urge to recreate the experience, this home feeling away from home.

HCA Residency

Datum:
Locatie: Roodkapje

Learning about home

Datum:
Locatie: Elmer Projects
In samenwerking met: Open Practice

I used the residency to further explore my ideas about 'home' and 'housing' through installation, culminating in a workshop where I invited others to explore what home means to them.

https://www.instagram.com/elmerprojects/?hl=en
Deze kunstenaar heeft nog geen toekenningen.