Alma

My work situates itself between architecture, sound and spatial experience, questioning how environments are structured and perceived through both visible and invisible conditions. My recent work explores elements in space that are not typically drawn or represented such as sound, vibration, air, darkness and bodily presence, and how these intangible conditions often shape movement, emotion and relationships more powerfully than physical form. Through this perspective, I investigate how space is sensed, inhabited and negotiated. Working with installation, drawing and constructed environments, I seek to reveal invisible structures embedded in everyday environments such as tidal flows, acoustic frequencies or social thresholds. In this process, sound functions as a medium where nonhuman actors such as water, machines and environments participate according to their own rhythms and conditions. Sound crosses thresholds between inside and outside, access and exclusion, audibility and silence, articulating entangled relations between human and nonhuman actors. In my recent works, time is viewed not linearly but through repetition, synchronicity and encounters accumulating through circular and relational processes. Instead of prescribing meaning, I wish to construct conditions that invite viewers to recalibrate their perception and sense of position.