Arabella Turner

schrijven, Geluid, film, Ecologie, Digitaal, Audiovisueel, Artistiek onderzoek

Arabella Turner (UK/NL) is an artist and filmmaker using video, sound, digital 3D modeling, and text. Her films intricately layer timelines, merging historical and contemporary narratives. In her scripts and text-based works, she focuses on narrative design creating unique narrative structures for each project. She graduated from the Piet Zwart Insitute in Lens Based Media in 2024.

As Cliffs Roar, Caves Whisper (trailer)
As Cliffs Roar, Caves Whisper (trailer) - In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the caves and surrounding geological forms for useful minerals. Through geological, technological, animal and human gazes we traverse between these two timelines, creating a composite reflective of the geologically rich landscape in which both narratives take place.
Bury/Imprint/Tunnel (trailer)
Bury/Imprint/Tunnel (trailer) - Trailer for short film made during a residency at Au Brana Centre supported by Culture Moves Europe.
Their Singing Shifts the Soil
Their Singing Shifts the Soil - Image taken from exhibition Their Singing Shifts the Soil, where I exhibited the film Bury/Imprint/Tunnel.
CURRENTLY, CURRENTLY, CURRENTLY exhibition
CURRENTLY, CURRENTLY, CURRENTLY exhibition - Image from CURRENTLY, CURRENTLY, CURRENTLY exhibition, where I exhibited the project As Cliffs Roar Caves Whisper. Digital video, single channel, 15 min. Ink pen on paper, 101cm x 180cm.
As Cliffs Roar Caves Whisper
As Cliffs Roar Caves Whisper - A still from short film As Cliffs Roar Caves Whisper. In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the caves and surrounding geological forms for useful minerals. As Cliffs Roar, Caves Whisper weaves geological, technological, animal and human gazes to traverse between two timelines, creating a composite reflective of the geologically rich landscape in which both narratives take place. Accompanying the film are two sets of drawings that expand on upon the narrative strucutre of the film.
As Cliffs Roar Caves Whisper BTS
As Cliffs Roar Caves Whisper BTS - BTS from As Cliffs Roar Caves Whisper
I have Despair and Paper (a.k.a. Love and Paper)
I have Despair and Paper (a.k.a. Love and Paper) - Short film made during a portraiture workshop with the artist Res. A wandering note and a memory of a film shop meet at the bottom of an active volcano.

Attrition

Datum:
Locatie: Pauilhac, France
In samenwerking met: Au Brana Centre

A residency on the theme of Attrition supported by Culture Moves Europe.

CURRENTLY, CURRENTLY, CURRENTLY

Datum:
Locatie: V2 Lab for Unstable Media, UBIK/WORM
In samenwerking met: V2 Lab for Unstable Media, UBIK/WORM

Master students of the Lens-Based Media programme at the Piet Zwart Institute invite you to their graduation show at V2 and WORM, Rotterdam.

We are here and we need to tell you something. CURRENTLY, CURRENTLY, CURRENTLY brings attention to urgent questions through the practice of moving image. Along 14 distinct works, each their own current, we explore personal, political and ecological concerns in the world we live in.

Flying Ideas

Datum:
Locatie: WORM
In samenwerking met: WORM

Flying Ideas is a collective space for works-in-progress. We recognise that the processes of development in between finished works are where we spend most of our time. Yet, this time is often hidden, or if anything is whispered about; it is rarely brought to the forefront, instead attention is focused on the ‘final’ outcome.

As Cliffs Roar, Caves Whisper

Datum:
Locatie: Rotterdam
In samenwerking met: WORM

In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the caves and surrounding geological forms for useful minerals.

As Cliffs Roar, Caves Whisper weaves geological, technological, animal and human gazes to traverse between two timelines, creating a composite reflective of the geologically rich landscape in which both narratives take place. Accompanying the film are two sets of drawings that expand on upon the na

https://www.arabellaturner.net
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