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Jannetje Jeanine Verloop

installatie, glaskunst, Experimenteel, cross-over, Artistiek onderzoek

Jannetje Jeanine Verloop (Korendijk, The Netherlands, 1994) develops kinetic sculptures and multimedia work in which she combines her love for craft with a fascination for technology. During her Illustration education (2018) at the Willem de Kooning Academy in Rotterdam (The Netherlands) she was already interested in the technique of old printing and typewriters. Verloop delved into their mechanisms and biological principles of movement and made this the starting point for a number of kinetic printing installations.

Gradually, the machines themselves became more important than the prints they reproduced. During exhibitions Verloop experienced the fragility of her machinery. To emphasize and exaggerate that fragility Verloop independently started practicing Scientific Glassblowing. In 2020 she received the grant for Emerging Artists from the Mondriaan Fund and a start fund from Stimuleringsfonds Creatieve Industries Netherlands.

Jeanine Verloop - Reawaken is a kinetic sculpture with 55 robotic arms, powered by 55 servo motors. The lowering of the arms causes an abstract print on paper.
Jeanine Verloop - This project was produced as part of the Summer Sessions Network for Talent Development in a co-production of Hangar and V2_ Lab for the Unstable Media. Parts produced at L'Ateneu de Fabricació Les Corts. Testinstallation Cognizant is een 1,60 meter hoge installatie grotendeels opgebouwd uit plexiglas en ondersteund met een houten frame. Het lineair neerslaan van de armen wordt aangedreven door het ronddraaien van uitvergrote, geïsoleerde delen van een rhombic stirling-mechanisme. Het ronddraaien wordt aangestuurd door 32 continue servomotoren en 2 pololu-microcontrollers. Dit is een testinstallatie, bedoeld om mee te experimenteren met verschillende scripts en sensoren.
Jeanine Verloop - Zoals Robert McLiam Wilson schrijft, in de inleiding Wild at Heart for WilderMann, “Plugged in, neurotically wi-fi ed and G3d as we are, we yearn to re-establish contact with the actual, the primal, the old. We dream of something real, something unmitigated by the filter of profi t-making portals and franchises. We want the as-was, the erstwhile. We languish for the non-mechanical and the pre- or post-industrial. We are pilgrims seeking the past, the genuine, the individual”
Printer 1.0 [2017]
Antennas Theremin [2017] - De Theremin is een vroeg elektronisch muziekinstrument dat zonder fysiek contact door de artiest wordt bestuurd. Samen met Merle Sibbel heb ik het maken en gebruiken van de theremin verkend. Dit resulteerde in een reeks antennes om door en rond het lichaam te plaatsen. Onze collectie illustreert de vreemde en intieme rol die technologie in ons leven speelt.
Multi Machine Installation [2019] - Dit is een gezamenlijk experiment gemaakt op Testsite Meent. Samenwerking Caio Vita en Jeroen Rijnart. Het plottermes is vervangen door pennen en tekent ingewikkelde ontwerpen en patronen met machinale precisie. De luide mechanische geluiden die door de plotter worden gegenereerd, worden opgevangen door een microfoon en ingevoerd in een complexe audiovisuele feedbacklus waar geluid wordt omgezet in beeld met gehackte VGA-kabels en een signaalstabilisator. Het resulterende signaal werd in de CRT-monitor ingevoerd en vertoonde abstracte RGB-beelden die een directe weergave van de plotter weergeeft.
Symbiote - Symbiote is a kinetic installation, a machine designed with a performative deconstruction in mind. The installation is constructed out of borosilate glass and supported with a wooden frame. The linear lowering of the ornithopter inspired arms is powered by rotating glass gears and a glass chain. That rotation is powered by a single stepper motor. “It is a machine that seems to destroy itself. The glass gears and glass chains threaten to get stuck in distorted forms and through this process ink is released. Verloop sees work as a deconstructive performance, adopting the role of assistant herself. The title refers to the intensive way in which we have collaborated with technology and have become dependent on the usefulness and efficiency. Verloop would like us to think about the impact that this symbiosis has on human’s imagination. ?” – Mondriaan Fonds, Prospects catalogue This installation was created to be presented during Highlight Delft 2021. [Materials] Borosilicate glass, wooden frame, metal nuts and bolts, copper reinforced polylactic acid (PLA), NEMA 23 Stepper Motor, TB6600 Stepper Driver, Arduino Uno, paper, ink. [dimensions] 90 x 90 x 190 cm

Residency TSH Delft

Datum:
Locatie: The Student Hotel Delft
In samenwerking met: Highlight Delft

By invitation of Highlight Delft I resided in the Student Hotel in Delft to continue the development of my skills in glass.

Samenwerking met LINK journal "Hyper Global / Hyper Local"

Datum:
Locatie: Online
In samenwerking met: LINK Journal, MakersXchange

"LINK Journal is a trans-disciplinary journal exploring [in-between] spaces, modes of communication, and translations within creative practices. " Together with Julia Bertolaso ​​(Barcelona, ​​Spain) and Veronica Tran (Melbourne) from Link Journal participated in " Hyper Global / Hyper Local" as part of the Makers' eXchange, a pilot policy project co-funded by the European Union. We explored experimental printing methods with their first song 'States of Matter'.

http://link-journal.com/

initiatiefnemer Testsite Meent

Datum:
Locatie: Meent 80
In samenwerking met: CBK Rotterdam, VPS Nederlandt

Test site Rotterdam offers a 24/7 window-exhibition and breeding ground in the middle of the Centrum of Rotterdam.

https://testsiterotterdam.nl/

Residency Summer Sessions

Datum:
Locatie: Hangar_org
In samenwerking met: V2 Lab for the Unstable Media, Hangar_org

The Summer Sessions are short-term international art and technology residencies for emerging artists and designers. A network of cultural organizations all over the world sponsors and hosts the residencies.

https://hangar.org/en/blocs/bloc-paratext/espanol-paratext-37-por-marzia-matarese/

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