LZH Studio / Linda Zeb Hang

zine , zeefdrukken , video , textiel , tekenen , Spoken word , sculptuur , publieke ruimte , Publicatie , printen (2D) , performance , omgeving , Objecten , natuur , installatie , Geluid , fotografie , film , Figuratief , Experimenteel , Etsen , Educatie , Ecologie , Design , Conceptueel , Community , collage , beeldhouwen , Audiovisueel , Artistiek onderzoek , Archieven , Abstract

Linda Zeb Hang is a Rotterdam-based artist and founder of the international mixed-media imprint, FIST (est. 2013), and LZH Studio, formed in 2024 shortly after their arrival to the Netherlands. Their practice draws from their training as a textile encoder and having grown up amidst craft preservation in the San Joaquin Valley of California. Born to indigenous Hmong refugees, Linda is interested in “transduction” as kin and code-based syntheses involving complex streams of recognition across generations, rhythms and geographies where patternness, cyclicity, orality, ritual, myth organize our collective oxygen and how we inhabit together. Linda creates works that invite curiosity, encounter, intercession and embodied forms of inquiry by calling into question the “codes of conduct” in an atmosphere, structure, or architecture where a work is experienced. An overarching theme in their work resides in fertile tensions between digital, machine age, and “primitive” technologies. Their projects attune to material cultures and currents of opacity related to this tension by reorienting systems of family and the tools we use to “value” and “gather”. Using this as a starting point, they invent syntaxes of relations through print, pigment, and textile genealogies for audiences to gain insight into deeper spatial fields of imagination. Not only to archive, but also to participate and initiate change within the communities we arrive with, land among, or return to. Best known for their conceptual artist's books, hypnagogic book design, sculptural installations, fine art printmaking, experimental video art, and coeval pedagogy their scanning voices cross-sections the invisible density, flavor profiles, and omniscient presence of the woven, yet frayed environment. They consider innovative organizing to be “objective oxygen”, interacting with media to animate the duality and “non-duality” of space.

Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025 - Attuning the Dramaturgy is a sonic and visual framework. An occupied space for intellectual squatters to articulate poetic enjambments, shaping character with each other in this former performance theatre and artist-driven space. It channels the conditions of the squat—survival, care, resistance—through architecture, movement, print, and sound.
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025 - Every material—from soil, potato plants, protest murals to crowbars, records, and a printshop sink—honors those invisible codes communities have always lived by, even when unacknowledged.
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025 - The Garden of Learning is the artery area, located in the center of speech, writing, and dance. Grounded and rooted in the Rotterdam ⁄Amsterdam grow community, these archival sub-textures reveal traces of the people’s multiplicity, complexities, and geographies. It is canopied by tent-like theatre curtain drapery, while rhythmically painted edges act as score-making, placing the colors as nods to movement building.
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025 - Close by is a Listening Sessions Station where you can listen to my other collective: Detroit’s Sterling Toles’ music with Wes Taylor’s record design. Their deep roots in printshop, Underground Resistance, Motown, and Archer vinyl pressing plant invite the plants to grow in the way of the village’s faith. A second spine to W139’s site of origin, with Ceremony as a gesture to consider how structure, sound, and freedom interact.
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat
Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat, 2025 - Inhabiting the architectural, columnist vertices feel like encountering tall trees that make up a grove in an encoded forest where the poems, prints, textiles, books, and oral stories can breathe, iterate, and support one another.
Rhythmic Publications Workshop (W139)
Rhythmic Publications Workshop (W139), 2025 - The public was invited to meaningfully participate and build culture with these learning environments in the framework of a Community Center on July 13, 2025 at W139 in Amsterdam NL. Youth participants from Iran, Cyprus, Turkey, Italy, France, Belgium, NYC, and California created their rhythmic publications while transducing the space into their own.
The Microcosmicroom, 2023
The Microcosmicroom, 2023 - Microcosmicroom (or a pocket universe) is for classes of study and rites. It contains different languages—publicationsculptures—as a gateway to kinds of knowledge drawn with the body, in collaboration or cultivated solitude, with transparency or in private. This knowledge is broadcast through different matrices in printmaking and waves of sound and light.
The Microcosmicroom, 2023
The Microcosmicroom, 2023 - Interlinked joints echo molecular bonds, DNA strands, and celestial constellations. A micro-gesture (a fold) becomes a macro-cosmos (a room). Viewers step inside what feels like a scaled-up body or pocket universe of folds. The patterned shadows lace the weaving into the architecture itself—as if the whole room is wrapped in a fabric.
The Microcosmicroom (Warble)
The Microcosmicroom (Warble), 2023 - Warble renders oxygen into frequency, its signal carried by hand-folded fiber-optic paper, circulating in a horizontal spiral like breath turned into sound.
The Microcosmicroom, 2023
The Microcosmicroom, 2023 - Suspended wooden grids and the polarized lens layer shadow with structure, filtering light so patterns flicker, shift, and dissolve with movement. It turns the installation into a woven field of interference—where light, code, and enclosure are registered as multi-hyphenate and in flux, much like identity politics.
The Microcosmicroom, 2023
The Microcosmicroom (Qaldera I–III), 2023 - Thread-splitting, architectural schema, distortions found in monograms, and whipstitching—typically used to close seams—have been employed to bring relief and color to the slipcase surfaces. Hand-beaded currency tokens accompany Qaldera: trading and marking altered labor within precarious identification.
The Microcosmicroom (Run O’ The River / Bitter Medicine II), 2023
The Microcosmicroom (Run O’ The River / Bitter Medicine II), 2023 - Run O’ The River / Bitter Medicine embeds esoteric knowledge in internal landscapes shaped by the 2020 New York pandemic, where fissures and oblique intersections both conceal and reveal. Poems, drawings, and encoded glyphs articulate psychic micro-climates within a frayed environment.
The Microcosmicroom (Archive), 2023
The Microcosmicroom (Archive), 2023 - Digital commons for Linda’s archival research into their parents’ refugee camp in Thailand, alongside their Netherlands installation.
The Microcosmicroom, 2023
The Microcosmicroom, 2023 - Lantern Crown describes a kaleidoscope of forms, a cosmos of shifting glyphs that glow from within. Letterpress printed and aligned like textiles, the glyphs form patterned repetitions, encoding encryption into fabric. Each symbol is not only written but worn, like embroidery across the page. The flocked surfaces with sun gold mica, amplify the poem’s luminosity: catching light as you move, the page reflects a constellation back to the reader. This material choice makes the poem itself a lantern — carrying glow and code.
Cold Code, 2023–4
Cold Code, 2023–4 - Cold Code is an atlas-graphic in chine-collé on mulberry paper, layering spatial genetics, encryption, and atmosphere with nautical and bodily traces drawn from port-city origins. It reads as a visual score for DNA rhythms, opacity, and transduction; each printshop residency communicates how movement building happens in layers—material, communal, and cultural.
The MICROCOSMICROOM
THE DIAMOND MIND 2.0 / JANGLE, 2023 - THE DIAMOND MIND 2.0, 36:31 min, single-channel video installation, color, stereo / JANGLE, 1:27 min, single-channel video installation, bw, stereo. Twenty years after leaving my childhood home, I returned carrying the lives I had lived elsewhere. My mother welcomed me as someone crossing back into an older current of family and collective memory. She performed a healing fire ritual—an ancestral act of cleansing, protection, and renewal.
THE MICROCOSMICROOM
The Microcosmicroom, 2023 - Artwork exhibition, scenography, video installation, and spatial design.

Artist-in-Residence

Datum:
Locatie: Plantas Studio, Oslo NO
In samenwerking met: Plantas Studio

Collaborative riso printing and publishing with Plantas Studio founder, João Doria de Souza.

https://plantas.studio/en

Closer Reading Exhibition

Datum:
Locatie: CCA Campus Gallery, San Francisco CA
In samenwerking met: CCA Campus Gallery

Artist book exhibition for Run O’ The River / Bitter Medicine III (2020–22) with publisher Sming Sming Books.

https://portal.cca.edu/events-calendar/closer-reading-reception/

Objective Oxygen Lecture Performance

Datum:
Locatie: Yale School of Art, New Haven CT
In samenwerking met: Yale School of Art

Objective Oxygen lecture performance forms part of an ongoing transnational project attuning ethics, labor, and intimacy in solo, collaborative, and collective art practice. Written across cities and shared studios—Amsterdam, Rotterdam, Detroit—the work maps the social and poetic infrastructures that sustain artists outside and inside institutional systems: the squat, the printshop, the garden, and the table.

https://art.yale.edu/program/artist-lectures?slug=linda-zeb-hang&entrytype=artist-lecture

Netherlands Nominee for the Queen Sonja Print Award

Datum:
Locatie: National Museum, Oslo NO
In samenwerking met: Queen Sonja Print Award

The Queen Sonja Print Award (QSPA) 2026, one of the leading awards for contemporary printmaking, will take place in September 2026 at the National Museum in Oslo. The award winners and invited nominees will travel to Oslo. The biennial programme is anchored by three interconnected events: the Award ceremony, an International Seminar on the state of contemporary printmaking, and an exhibition at the QSPA Exhibition Space in Bjørvika.

https://queensonjaprintaward.no/queen-sonja-print-award/
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