Tair Uria

video , installatie , beeldhouwen , Artistiek onderzoek

Working with video, sculpture, drawing, and kinetic assemblage, I explore navigation within complex systems of forces. My practice unfolds through what I call "self-sabotaging machines"—fragile, restless systems that are constantly self-questioning. In exploring different modes of movement, I seek a sense of agency amid entanglement, turbulence, and frustration. The figure of the crocodile, a recurring motif in my work, is at the heart of this inquiry. It appears as a crawling body navigating its role between an entity and a visual icon. Through her continuous mutations, she resists fixed identity, rejecting rigid forms or singular meanings. These explorations are rooted in a deeper engagement with autoimmunity as an existential, psychological, and philosophical concept. I see autoimmunity as a mode of being: an ongoing internal struggle within the body, a network exhausted by its own excess that resists collapse by proliferating within the very conditions of breakdown. I use this paradox as a framework for action, where self-negation becomes a strategy for expansion, and instability acts as a vital material principle. In the studio, I build fragile systems from ceramics, metal, stretch fabric, wheels, paper drawings, mechanics, and electronics. These systems, embodying the crocodilian form, are inherently conflicted: ceramic organs crack and shake, fabrics strain, metals bend, wheels stutter under uneven loads, and motors spin at off-center angles. I see these material tensions as fertile conditions for sculptural thinking and creation.

There is a leakage and it cannot find me / Lost tears wandering
There is a leakage and it cannot find me / Lost tears wandering - 10-minute video in a loop. TV screen, motorized wheeled platform, floating belt. 2026. There is a leakage and it cannot find me investigates a fragile, mutating body caught between internal origin and external definition. At the center of my practice is a recurring crocodilian figure—originating from an archetypal ground and transforming with every iteration, she is forever navigating and negotiating intention, perception, and identity. Through a fluid interplay of skin, viscera, and liquid, the boundaries between inside and outside collapse, exposing an entity trapped by external identification yet constantly leaking beyond its own borders. Central to this research is the subversion of "crocodile tears." Stripped of their conventional association with insincerity, these tears become raw physical and metaphorical material—a site through which to map confusion, traps, and escape routes. As those tears fall, evaporate, or merge, physical actuality slips into metaphor and vice versa, capturing a transient, in-between moment where the crocodile cannot recognize her own liquids, and the liquids cannot recognize their own crocodile. The exhibition was supported by Amarte Fonds.
There is a leakage and it cannot find me / Partition screen
There is a leakage and it cannot find me / Partition screen - Ceramic, gear wheels and chains, bookbinding thread, metal structure, pencil drawing on rice paper, shower curtain rings. Part of There is a leakage and it cannot find me. 2026.
There is a leakage and it cannot find me / Leakage Protectors
There is a leakage and it cannot find me / Leakage Protectors - Oil pastel and pencil on paper, metal drops. 2026. Part of There is a leakage and it cannot find me.
How to carry a floor
How to carry a floor - Kinetic Sculpture. 2026. This project was made possible thanks to the support of CBK Rotterdam. It was exhibited in the framework of a group exhibition at Joey Ramone Gallery, Rotterdam, as part of Kunstpodium-T Apprentice/Master program. Five floor tiles hesitantly navigating the room on springs, in a search for a constellation / arrangement that will encompass them. A practical note regarding the gallery floor became a conceptual turning point: reconsidering the floor as an unstable carrier, reactivated toward an ontological confusion of its function. How to carry a floor imagines a movement both self-motivated and self-sabotaging—an effort to extend, push, and support, while continuously being tilted and carried by outside forces. Rearranging weight, gravity, and hierarchy, the floor slips out of its supporting role to seek its own agency. Within my practice, where materials continuously outgrow their functions, this constant negotiation raises a question about the role and presence of the recurring crocodilian figure: How/Does she exist in this work? Is she the carrier of the movement, or perhaps she is crawling underneath the shifting floor?
How to carry a Floor
How to carry a Floor - 2026.
Overthinking While Executing Minor Actions
Overthinking While Executing Minor Actions - 4-hour procession, moving from one side of the room to the other. 2025. Small skin-vehicles, like ants, dragging behind them fragmented ceramic figures—each pulling the next, exerting tension on one another. The structure appears like a super-organism: a recurring, multiplied figure that is both homogeneous and heterogeneous, acting at once as a self-army and as a body constantly on the verge of collapse. It does not determine whether it is a convoy or a parade, whether it desires to arrive—or whether it is merely slowing down that very possibility. Through this work I explore power relations as an internal conflict—within a body, a figure, or a structure that is shaken by different forces. I imagine this conflict manifesting as a form of self-attack, an autoimmune-machine producing a chain of breakdown and consolidation, self-mutation, self-mutilation.
Overthinking While Executing Minor Actions
Overthinking While Executing Minor Actions - during The scuffle of the cuddle cage, Kunstfort © Kunstfort Vijfhuizen, 2026. Photo: LNDW Studio
Overthinking While Executing Minor Actions
Overthinking While Executing Minor Actions - during The scuffle of the cuddle cage, Kunstfort © Kunstfort Vijfhuizen, 2026. Photo: LNDW Studio
Overthinking While Executing Minor Actions
Overthinking While Executing Minor Actions - during The scuffle of the cuddle cage, Kunstfort © Kunstfort Vijfhuizen, 2026. Photo: LNDW Studio
Overthinking While Executing Minor Actions
Overthinking While Executing Minor Actions - during The scuffle of the cuddle cage, Kunstfort © Kunstfort Vijfhuizen, 2026. Photo: LNDW Studio
The parliament of the body
The parliament of the body - Oil pastels and pencil on paper, 2025
Schizophrenic table
Schizophrenic table - metal, drawing, springs, wood, ceramics, 2024
A whisk with two heads
A whisk with two heads - Aluminum casting and welding, 2024
Crocodile Riddle
Crocodile Riddle - 1-minute video and kinetic sculpture: Leadscrew mechanism, aluminium cast, metal and wood. 2023. In this work, the crocodilian alter ego metamorphoses into the form of a gatekeeper kneeling on an iron podium in a frozen and distant universe in which a multitude of metallic elements bend and melt. Photographer: Neta Cones
Crocodile Riddle
Crocodile Riddle - Photographer: Neta Cones. 2023.
Crocodiled Algorithm: Periodic Name
Crocodiled Algorithm: Periodic Name - Video. 5 minutes. 2021. A crocodile, that emerged from a childhood memory or from a distant story, shed any burden of reality, and in an imaginary occurrence developed independence. As an imaginary occurrence, it has its own logic. While the crocodile materializes, whether in iron or in editing software, encounters and clashes create new platforms for her to form. Sculptural props, drawing fragments, and footage became material for experimentation in the editing machine, where digital limitations—grids, keyframes, numerical precision, and gaps—generated motion resonating with the crocodilian entity. The resulting five-minute animation follows a crocodile navigating a virtual grid, charting a trajectory of growth, regression, duplication, mechanical transformation, and escape.
Crocodiled Algorithm: Periodic Name
Crocodiled Algorithm: Periodic Name - Installation view. 2021. Photo by Solal Fakiel.
Crocodiled Algorithm /  Procession Sculptures
Crocodiled Algorithm / Procession Sculptures - 2021.
The Procession drawing
The Procession drawing - 2021
Crocodiled Cucumbers
Crocodiled Cucumbers - Installation view. 3-channel video installation and a metal labyrinth sagging in between, at crocodile height so she could crawl beneath. 2020.

There is a leakage and it cannot find me

Datum:
Locatie: Pulchri Studio

Solo exhibition in the Tuin Galerie, as part of an encouragement award for recent graduates.
The exhibition navigates a fragile structure of identity, exploring what happens when borrowed forms of identity are taken in and begin to turn inward.
This project was made possible with the support of Amarte Fonds and Stitching Pulchri Sacrum.

https://www.pulchri.nl/nl/tentoonstellingen/tair-uria-there-is-a-leakage-and-it-cannot-find-me/

Floor is lava - Carrying us together

Datum:
Locatie: Joey Ramone Gallery
In samenwerking met: Kunstpodium T

Group exhibition with works by Domas van Wijk , Anna Musikhina , Mikołaj Stojanowicz , Tair Uria , Junying Wu. Part of Kunstpodium T's Apprentice/Master program.

https://kunstpodium-t.com/agenda/a-m-4-2

The scuffle of the cuddle cage

Datum:
Locatie: Kunstfort Vijfhuizen

Group exhibition with works by Anna Perach, Imge Özbilge, Ischa Kempka, Mieke Hessels, Shakuntala Kulkarni and Tair Uria. Curated by Ra­biaâ Ben­lahbib, the exhibition centres on the po­sition of women in a male-dom­i­nated world. Where lies the bal­ance be­tween going along with the system of dom­i­nance, ques­tioning it, and chal­lenging it? How can a woman pre­vent becoming alien­ated from her­self in a so­ciety built on male norms?

https://www.kunstfort.nl/en/exhibitions/the-scuffle-of-the-cuddle-cage/

Art The Hague

Datum:
Locatie: Fokker Terminal
In samenwerking met: Pulchri Studio

Grad Show Project: "Overthinking While Executing Minor Actions"

Datum:
Locatie: KABK
In samenwerking met: KABK

4-hour-long procession, moving from one side of the room to the other.

𝘚𝘦𝘭𝘧-𝘯𝘦𝘨𝘢𝘵𝘪𝘯𝘨, 𝘴𝘦𝘭𝘧-𝘴𝘢𝘣𝘰𝘵𝘢𝘨𝘪𝘯𝘨 𝘤𝘩𝘳𝘰𝘯𝘪𝘤𝘭𝘦 𝘤𝘪𝘳𝘤𝘶𝘭𝘢𝘵𝘦𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘷𝘢𝘳𝘪𝘰𝘶𝘴 𝘭𝘢𝘺𝘦𝘳𝘴 𝘰𝘧 𝘣𝘦𝘪𝘯𝘨, 𝘴𝘩𝘰𝘳𝘵-𝘤𝘪𝘳𝘤𝘶𝘪𝘵𝘪𝘯𝘨 𝘪𝘵𝘴𝘦𝘭𝘧 𝘵𝘰 𝘵𝘩𝘦 𝘱𝘰𝘪𝘯𝘵 𝘸𝘩𝘦𝘳𝘦 𝘪𝘵 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘬𝘯𝘰𝘸𝘴 —- 𝘸𝘩𝘦𝘵𝘩𝘦𝘳 𝘪𝘵 𝘸𝘢𝘴 𝘣𝘰𝘳𝘯 𝘦𝘯𝘵𝘢𝘯𝘨𝘭𝘦𝘥, 𝘰𝘳 𝘪𝘧 𝘦𝘯𝘵𝘢𝘯𝘨𝘭𝘦𝘮𝘦𝘯𝘵 𝘪𝘴 𝘪𝘵𝘴 𝘮𝘰𝘥𝘦 𝘰𝘧 𝘯𝘢𝘷𝘪𝘨𝘢𝘵𝘪𝘰𝘯.

https://www.tairuria.com/autoimmune-machines
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