Tisa Neža Herlec aka Tisa World (1996, Ljubljana) is a multidisciplinarian whose practice weaves voice, language, print-making, performance, composition and collective endeavours. She loves to share her methods of creation and empower collective art-making and publishing, often within the context of performative arts. She enhances her performances with the use of printed matter and imagery such as graphic prints and costumes.
She is currently a resident of Švicarija, MGLC (The International Centre of Graphic Arts) in Ljubljana, Slovenia (2025-2027). She holds a Bachelor in Fine Arts from ALUO in Ljubljana, and Master of Fine Art and Design from the department of Experimental Publishing at Piet Zwart Institute in Rotterdam, with the support of the scholarship of the Slovenian Ministry of Culture. She has lived in the Netherlands since 2019, and has published, exhibited and performed internationally.
She is a member of several collectives: the composition fem trio TiSiTi, Singing Club Rotterdam, an anti-choir for all voices (since 2019); De Boog, a shared studio for graphic arts and risography in Rotterdam (since 2020); RE#sister Rotterdam, fem collective for experimental sound art (since 2019); Modri Kot, an experimental venue for politics and performative arts in Autonomous Rog Factory in Ljubljana (2015-2019).
Her sound and music projects are: Triangulation, Tisa&Mojca, Stepmother, Warping, Relative Silence at Dawn, Shall we?, Voronoi Collective, Interlocutor, and others.
She was a host of the interview show The Side Entrance on Radio Worm in Rotterdam (2019-2024), and a radio moderator on Radio Student in Ljubljana (2015-2018).
In the UBIK theatre in Rotterdam she conducted a series of participatory Mystery Sessions - workshops for interdisciplinary improvisation and performance (2021-2025).
Sonoscopia
During a short residency at Sonoscopia in Porto, Tisa World and Maud Buckenmeyer have developped a performance called The shadow, a performance that uses the mediums of voice and body to address the toxicity of relations.
"The Shadow is a performance for two fem bodies and voices that explores the topic of toxicity in relationships. Through spoken word, singing, and sounds of the clarinet, we weave a tale—both intimate and political—about the complexities of human connection."
Hamburger Community residency at Roodkapje
Roodkapje invites five interdisciplinary artists to form a (temporary) collective in residence: Irene Cassarini, Julia Wilhelm, M.C. Julie Yu, Repelsteeltje and Tisa World.
Together they develop multiple public moments within Roodkapje’s program. The trajectory’s main focus in 2024 is the Happening as an artform to collectively re-imagine, reshape and organize.
Residency at Creative Power Garage 101
I was an artist in residency in the rural area in Japan, close by Tokyo for 2 months in Autumn 2023. There, I learned about traditional art including Japanese songs, as well as composed an album together with pianist Mojca Zupančič, created from field recordings , voice and additional sonic elements. In addition to this, I had 10 performances all around Japan.
Residency at Petersburg Art Space
During my residency I have been engaging with the experimental performance scene, and got a chance to perform and play with a number of inspiring locals. Amongst them: EOM aka Kristoffer Kjaerskov (tapes and field recordings), Shiomi Kawaguchi (shamisen), Reinier vanhoudt (piano), Joana Perdigao (bass clarinet), Marina Cyrino (amplified flutes), Alexander Markvart (feedback system)... I 've led my Mystery Session here and curated an audio-visual Synesthesia evening and performed Tongue Twisters.
The Topology of New
The topology of new is a text that traces simple fragments of life, actions and encounters that lead towards the feeling of a home in a city that is foreign to the newcomer. This is not a chance encounter was an outdoor and online exhibition that examined what it means to work with stories of (im)migration, looked at encounters that don't happen by chance, and followed the traces of immigration policies that result in displacement globally .
Residency at Destination Unknown
During my residency at Destination Unknown 2022 in Venlo, I have written and fabricated a "Mysteries" publication containing texts and images on the topic of mysteries, the voice and the spirit. In addition, I have presented a sound sculpture titled "Let's keep in touch", as well as curated and performed in three performance evenings together with internationally known musicians. https://www.destinationunknown.nu/tisa-neza-herlec-2/
Intertwinement
This site-specific installation (wool strings intrinsically weaved into a net) is a direct link to a memory of a past. The slow and meticulous process of its creation allows remembering. The live, organic structure that emerges with the action of tying many knots persists to be untamable - in a few weeks hundreds of spiders take the Intertwinement as the base-structure for their nets and inhabit it.
The Side Entrance Radio Show
On Radio Worm Tisa hosts the show called *The Side Entrance* where she encounters and interviews performers, improvisers and composers. We enter into their sonic and conceptual worlds through the side entrance – listening to their sound materializations and exploring the back-end of their practices - the thoughts and metaphors they create with. Additional interview radio show *Residential* is focused around various artists in residency of Worm - sound makers, artists and theater makers.