Jaime Tato le Bleu

artistic research - sculpture - community - conceptual - design - diversity - experimental - installation - international - people - nature - objects - performance - collaboration

Jaime Tato le Bleu is an artist and designer who was born in Rotterdam and graduated from Design Academy Eindhoven in 2022. His work occupies a space between sculpture, craftsmanship, performance, and design. Driven by his fascination with a holistic and collaborative methodology, he co-founded the artist collective Espace Aygo. Through the collective, he explores the domestic space, engaging in co-living and contributing to the creation of the space that Jaime and his collective inhabit.


Jacqilly - The sculpture, taking the form of a dinning setting, questions the relation in between the industrial and natural.
Prinvelis Galia - My father worked as a set designer in the film industry, and during my childhood, he frequently brought back objects from his movie productions. Those from his journeys to Georgia, in particular, fascinated me. They were roughly welded steel objects, with scary but luring appearances. Our family has deep connections to Georgia, and during the movie productions, lasting friendships were formed, evolving into a sense of extended family. One significant friendship was with the Georgian director Tato Kotetishvili, who passed away the night I was born. I am named Jaime Tato after him. 'Prinvelis Galia' begins a reflection on my personal history.
Grotto - Grotto sub verses the domestic architecture by introducing the idea of an organic cave. Made in collaboration with all members of Espace Aygo: Line Murken Salome Sperling Sijmen Vellekoop
Formula - Formula revolves around the themes of Puzzling, materiality and hierarchy.
Espace Aygo – Bathroom - A fully functioning bathroom created in collaboration with all members of Espace Aygo: Line Murken, Salome Sperling and Sijmen Vellekoop. This bathroom is part of a domestic experiment in which all members of the collective create the environment they live in.
Material chunk 1 - Part of an ongoing series of material research. Pigmented concrete, airbrush paint.
Sorry, not sorry - Sorry, not sorry exaggerates the process of distress. By allowing damage to its materialism, the objects removes negative emotions which we normally experience when our possessions get damaged.
Material chunk 2 - Part of an ongoing series of material research. Oxidised steel, wood.