Sandim Mendes

Diaspora - textile - conceptual - photography - graphics

In my practice I use photography as a starting point to explore the concept of identity within and between cultures. Born in the Netherlands with a Cape Verdean background, I start from an intersectional context, where I see these two worlds as the basis for my artistic research. Through photography, performance, textiles, drawing, printing techniques and installation, I produce work that deals with intersecting layers of personal and political histories.

My work reconstructs historical and speculative stories, and creates characters and personalities that emerge from this reconstruction process. Photography has become a useful medium in this practice because of its use in processes of historicization, its function as a memory aid and its archival and evidentiary value.
I combine photographic techniques with printing techniques (including on textiles), but also sound (spoken text), etc. I in turn combine these elements in installations.


guest residence

Residencies / exchange

  • 23-09-2019 t/m 22-10-2019
  • Location: Grafikwerkstatt , Dresden
  • In 2019 I was able to follow a guest residency in the Grafikwerstatt Dresden, Germany. Under the guidance of the highly skilled printers who run the workshop, I was able to delve freely into the various techniques that I found interesting. Seeing all the possibilities in the Grafikwerkstatt, I decided to focus on printing techniques that I had either never tried before or hadn't done for a long time.
  • https://www.sandimmendes.com/grafikwerkstatt-dresden

E ka so bo, E mi ku tudu (= its not only you, its me as well), 2022

Exhibition / presentation

  • 09-09-2022 t/m 06-11-2023
  • Location: Nest, The Hague
  • My previous work "Amilcar" from 2010, in which I took on the persona of the national Cape Verdean hero Amilcar Cabral, is the inspiration for an installation that further explores the personal bond with Amilcar Cabral. I do this through stories about my two grandfathers and the role they played during Portuguese colonialism in Cape Verde.
  • https://www.sandimmendes.com/non-profit-at-all-cost

Acknowledgments

    Collection
  • Rotterdam University of Applied Sciences art collection

  • 2018, Rotterdam
    Publication
  • Atlantica: Contemporary Art from Cabo Verde, Guinea Bissau, Sao Tome and Principe and their Diaspora

  • 2021
  • Publication
  • Hangar Books - César Schofield Cardoso, Mónica de Miranda
    Publication
  • and Postcolonial Perspectives in Contemporary Art

  • 2012
  • Publication
  • UNFIXED Projects and Jap Sam Books - Sara Blokland, Asmara Pelupessy