Janneke van der Putten

video , textiel , schilderen , samenwerking , performance , omgeving , Geluid

Janneke van der Putten is a visual artist and performer based in Rotterdam since 2009. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, she investigates (human) responses to her surroundings, and their relation to natural phenomena, such as the sunrise. Her work results in performances, paintings, video, sound, installations, textiles and workshops.

Van der Putten has been presenting her work internationally and holds a BA from the Gerrit Rietveld Academy (Amsterdam, 2009) and a MA from the Royal Academy of Arts; Royal Conservartory (The Hague, 2013). She is part of Collective Aloardi (Lima, Peru) since 2014 and in 2017 she initiated Foundation Idraola, producing multidisciplinary projects and cultural exchanges. She has been a selected artist-in-residence and fellow at a.o. Centre international d'art et du paysage (Vassivière, 2014) and Akademie Schloss Solitude (Stuttgart, 2019).

Textile and Voice in the Landscape
Textile and Voice in the Landscape - 2015 – heden, workshop & performance | ‘Voice and Textile in the Landscape’ questions notions of presence in space and celebration of the living. We explore the transmition and sharing of knowledge through actions that invite to (re)connect with our environment and ourselves. With our interventions in specific landscapes and sites, we acknowledge their presence and (re)evaluate our relation with their histories. Designed in a collective approach, we use the voice, fluid materials in textile (fabrics, thread, tape), the listening, the acoustics, walking, cosmological elements such as dawn and night to experiment the relation with time and space. After a theoretical introduction, through multiple experiences (endurance, perception, cyclical time, intuitive and processual approaches), performances are proposed in various urban and natural sites.
Cycles: Overtones and Glottis Attack
Cycles: Overtones and Glottis Attack - 2017 – heden
, performance
 | Presentatie o.a. MEM Festival, Guggenheim Bilbao, 2025

 | Met behulp van boventonen en glottale technieken onderzocht ik de grenzen van de resonantie van een locatie en de interactie tussen stem, architectuur en perceptie.
All Begins With A: inspired by the SUNRISE
All Begins With A: inspired by the SUNRISE - 2014, digital photographs, interventions in public space, listening journal, compositions, digital film: stereo audio, 15’42’’ | All living beings experience the cyclic movement of night transitioning to day, and of day returning to night, as an existential rhythm. Humans have mirrored this rhythm through the practice of walking or travelling in circles, embodying the movements of the stars and celestial vault. I have come to experience the breath, and implicitly the expired vocal sound, as the same kind of effortless cycle, without intention – thus the relation between the body, position, and cosmological elements such as the sunrise are central to my artistic practice. For one month I documented my daily walking, listening and singing around the island of Vassivière. Getting up for the morning twilight, and the experience of shorter and longer days, informs an awareness of the cyclical nature of time in relation to the Sun, the Earth, and the Moon.
Landscape Acoustics and Voice
Landscape Acoustics and Voice - 2014 – heden
, workshop | Met onze stemmen onderzoeken we performatieve dialoog, richten we ons op gedeeld luisteren en sensorialiteit, en ervaren we het hier en nu terwijl groepsdynamiek zichtbaar wordt.
Directed to the Sun - 2015, video, stereo audio and digital film, 18’58”; woven textile | 'Directed to the Sun' investigates how humans can celebrate and relate to specific sites and during moments dedicated to cosmological elements. I consider the sunlight as a fundamental phenomenon, and I am interested in the solstice and its effects on the human body. The solstice is a day in the year that posits a point of no return: when time changes direction and the days become shorter or longer. On the solstice of 21th December 2014, I travelled to the sun clock of Chanquillo and to the desert in the North of Lima, Peru. Together with collective Aloardi and the local guide Richard Isidro Durand Roque we made interventions in the landscape, by letting the wind resonate with textile objects and my singing voice.
Voice and Space - 2015 – heden, workshop | Onderzoek naar de vraag of langdurige blootstelling de gebruikelijke tijdsperceptie kan verstoren, het aangaan van ruimtelijke resonantie en het bevragen van de functionele identiteit van een locatie.
Quitsato - 2017, hand-embroidered textile, 155 (l) x 85 (w) cm, metal tube, iron wire. | ‘Quitsato’, meaning the Middle (Quitsa-) of the World (-to), refers to the ecuator passing over the mountains near Quito, Ecuador. Acknowledging its geo-astronomical significance, researcher Cristóbal Cobo proposes a solar-oriented representation of the world with the equator as central vertical line, the East on top and the North on the le side. The sun is the motor that drives all of life, and as it rises in the East everywhere on earth, it has been and continues to be an orientation point.
Invisible Architecture in a Tower - 2014, Part of the project 'Invisible Architecture' by Sajjra Xhrs Galarreta (composition) and Janneke van der Putten (voice) highlighting acoustic phenomena hidden in a space. Site-specific research, music publications, performance; 12 Inch LP; C30 Cassette. | In this first version of the project, subtle acoustic phenomena of a light-tower were explored through its surrounding sounds and the acoustic reflections of the human voice. Resonant frequencies and reverberations were emphasized and prolonged with the interaction of the human voice and the echo, making recordings with unconventional microphone techniques.
Trasforma
Trasforma - 2020 – 2024, performance | De bewegingen van de performer bepalen de klankkleur en de metamorfose van haar ademhaling en stemgebruik, evenals de dynamiek van de visuele effecten.
[to] - 2020, video, stereo sound, 10'29'' | The video is a compilation of material from the past years, recorded during interventions in places with special energy: related to the earth, astronomy, my personal life and connections to my matriarchal family line. It is made to celebrate and recognise our interconnectivity, in memory of walks, conversations, songs and dances with people I met and started collaborating with. It features the soundtrack from composer Chrs Galarreta with whom I work with since 2013. It is recorded in Stuttgart’s oldest waterreservoir and includes field recordings of my voice modulated by the architecture, where the strongly echoing sounds give an underwater sensation while merging with the atmospheric moving images.
Cycles: Exploring Day and Night Rhythms as the Basis for the Creative Process
Cycles: Exploring Day and Night Rhythms as the Basis for the Creative Process - 2022 – 2023, performatief onderzoek, textielobject in de vorm van een cirkel, gemaakt met behulp van een oude kanttechniek. | Onderzoek naar de overdracht van vaardigheden en traagheid als artistieke voorwaarden in plaats van functionele resultaten.

WACHSTUMSPULSE


Datum:
Locatie: Center for Contemporary Art in the Glass Palace
In samenwerking met: Project with Wolfram Oettl (keyboard) and Richard Spaeth
 (bowed Lute).

With their improvisational approach, the performers develop a soundscape that grows and dissolves in a slow, constant, and unpredictable transformation. Janneke sets accents in a relaxed, timeless atmosphere with various facets of her voice and performative movements in the space. The sound layers of Richard’s string lute, and the changing rhythms and harmonies of keyboardist Wolfram create bright, shimmering and darkened moods, both familiar and unheard, in a rich sonic unfolding.

https://kunstsammlungen-museen.augsburg.de/h2-termine/wachstumspulse

STEM-VOICE (cycle 3) - experimental choir

Datum:
Locatie: Gouwstraat 56c, Oud-Charlois
In samenwerking met: Tot Gouw

OPEN CALL FOR PARTICIPANTS
choir project ‘STEM - VOICE (cycle 3)’
by Janneke van der Putten

Open call for persons interested to participate in ‘STEM - VOICE (cycle 3)’: a laboratorium in choir format to explore the voice through situated connection, echo-location, and spatial phenomena. The laboratorium consists of a cycle of five sessions of 1-1,5 hour duration each, and will include singing technique training, choir singing, movement and body practise. No prior singing experience is needed.

https://jannekevanderputten.nl/wp-content/uploads/2025/09/CALL-for-participation-cycle-3_compressed.pdf

[to]

Datum:
Locatie: Kunstraum 34
In samenwerking met: Akademie Schoss Solitude

Written in the phonetic alphabet, [to] is a syllable to be spoken. It means 'world' in an old Ecuadorian language. [to] is a world to be sounded, colored, materialized. Immerse yourself in the atmosphere, and resonate with the frequencies. Moving through the space, experiencing the physicality and presence of [to], the architecture becomes part of the works that both Jorinde Fischer and Janneke van der Putten conceived for Kunstraum 34.

https://kunstraum34.de/jorinde-fischer-und-janneke-van-der-putten/

Geo-astronomical relations: the moon and the river as our elements

Datum:
Locatie: ArtEZ Institute of the Arts
In samenwerking met: Base for Experiment, Art and Research (BEAR department)

Our voices, our bodies, the environment, video, sound, words and textiles laid down the base for this intensive, immersive project created and led by Janneke van der Putten. Through following our individual interests and tying them together we worked with myths, elements, intuition and all things holistic. This project was an experiential rollercoaster, to say the least. The project was presented on the BEAR festival of 13 October with a handmade publication, performance, exhibition and video.

https://www.youtube.com/watch?v=Phopm4yWYmw&t=72s

Quitsa

Datum:
Locatie: CINNNAMON
In samenwerking met: CBK Rotterdam

In her solo exhibition Quitsa Janneke van der Putten wants to share with us the ancestral relationship of man, in his place on earth, with the movement of the sun. In her video Directed to the Sun, recorded in December 2014 on a ruin in Peru with a view of the Chanquillo solar clock (about 500 BC), a tribute is brought to the sun with waving orange ribbons and the primal sounds of Janneke’s screams. (...)

https://cinnnamon.com/wp/quitsa/

Directed to the Sun

Datum:
Locatie: Atelierhaus Quartier am Hafen, Ausstellungsraum Q18
In samenwerking met: CBK Rotterdam

For more than ten years, Janneke van der Putten has used her own voice as an essential medium in her interactions with landscape, space and contexts, in connection with e.g. natural phenomena, mythologies, cycles and time. Van der Putten's work often differs from purely auditory performances through visual aspects. Documentary media (video, photography, drawing), but also textile works and spatial installations transport their experience and association processes into the exhibition space.

https://qah.koeln/en/janneke-van-der-putten-directed-to-the-sun-2/

All Begins With A

Datum:
Locatie: TENT

For her first exhibition, Janneke Van der Putten presented a constellation of works in which the relationship between sound, voice, and singing and body, time, and space are investigated through her personal experiences, physicality, and voice. The lengthy walks, tours and listening studies that Janneke Van der Putten (Amsterdam, 1985) performs are an important starting point for her work. She uses her voice as an instrument to scan or articulate a particular situation or space (...).

https://www.tentrotterdam.nl/en/tentoonstelling/all-begins-with-a/
Deze kunstenaar heeft nog geen toekenningen.