Katarina Zdjelar

artistiek onderzoek - audiovisueel

Katarina Zdjelar grew up in Belgrade and is based in Rotterdam. Working mainly in the medium of video, her work explores the way one body encounters another as a site of resistance and possibility, pointing to the fragile agency of collective action in the present. Voice, music, sound and language have been the core interests throughout her practice. Her most recent works look at potentials and legacies of pacifist (proto) feminist practices, including that of Käthe Kollwitz and Dore Hoyer. Zdjelar holds an MA in Fine Art from the Piet Zwart Institute in Rotterdam, she is a graduate of the University of Arts Belgrade and has completed a two year residency at the Rijksakademie van beeldende kunsten in Amsterdam. Zdjelar represented Serbia at the 53rd Venice Biennale and has participated in numerous solo and group exhibitions internationally at such venues as 11th Berlin Biennale, Stedelijk Museum Bureau Amsterdam; Metropolitan Museum of Photography, Tokyo; Frieze Foundation, London; Casino Luxembourg; De Appel, Amsterdam, MAC


Katarina Zdjelar: Proximities, a rehearsal, an archive

Tentoonstelling / presentatie

  • 29-10-2021 t/m 02-01-2022
  • In samenwerking met: Oregon Contemporary
  • Locatie: , Portland
  • Proximities, a rehearsal, an archive will be the first solo exhibition of Katarina Zdjelar’s work in the US, an artist who represented her native Serbia at the 53rd Venice Biennale and has exhibited in galleries, museums, and biennials worldwide. Working mainly in the medium of video, Zdjelar explores the ways in which the potential for transformation and change are held in the body. Several of Zdjelar’s works revolve around forms of rehearsal, an open-ended space in which things are destabilize
  • https://www.oregoncontemporary.org/katarina-zdjelar

Erkenningen

    Prijs
  • Dolf Henkes

  • 2016
    Collectie
  • Stedelijk Museum Amsterdam

  • 2012, Amsterdam