Yoshinari Nishiki

Economie, Ecologie, Digitale technologie, Artistiek onderzoek

Nishiki is essentially a barefoot practitioner who only spent a year in formal education in his entire adulthood. While being based at Foundation for Art and Creative Technology (FACT) in Liverpool (2011-2012), Nishiki made a portal to a more just world where "good" people were financially treated better. After obtaining a masters degree from the Center for Cultural Studies (CCS), a department that formerly existed at Goldsmiths, University of London (2013-2014), Nishiki began to be based at an Augmented Reality laboratory in the middle of a mountain (IMDLAB @NAIST, 2015-2016). There, he made a webapp in which money circulated by people dropping and picking up digital coins on the street (prior to Pokémon GO). This project took Nishiki to Rotterdam, at a summer residency at V2_ Lab for the Unstable Media during which he connected his coins with free ice creams in the city. After relocating to the Netherlands, Nishiki worked on various projects tweaking supply chains and logistics systems with collaborators from TU Delft.

Panjancontainer (2019) - A manual system that allows a single person to flip a full-scale 20ft shipping container (The Green Village, Delft, The Netherlands, 2019) photo: Luuk Smits
Overture: Carrying Power (2018) - Moving a (potato) mountain by a food courier service outside the app (TodaysArt, The Hague, The Netherlands, 2018) photo: Martijn Beekman
EROI Drink (2020 onwards) - An energy drink made from Japanese Knotweed, an invasive alien plant pervasive in the Netherlands (Almere Oogst, Almere, The Netherlands, 2021). still image: Urban Greeners
Off-the-shelf MOCHI
Off-the-shelf MOCHI (2024) - Since the peak of on-the-fly purchasing convenience in 2014, marked by the introduction of Amazon Dash Buttons, most of us have lost our sense of premonition. Our general ability to "seize the moment in the wild" has sharply declined. There was a time when we met each other without messaging or sharing locations and obtained items through gift-giving and chance encounters. In Tristan Gooley's book How to Read Water: Clues and Patterns from Puddles to the Sea, he explains that with a tiny cue, such as a ripple in a puddle, you can understand what's happening in the vast ocean—if you know how to read it. This skill is how indigenous people in the Pacific survived for centuries. Careful observation of your surroundings brings to mind the Japanese saying, “when the wind blows, the barrel maker prospers.” This illustrates how seemingly unrelated events can suddenly form a kind of supply chain, depending on how you position yourself in the environment. The traditional sequence is 🌬️ → ⛱️ → 👀 → 😔🪕🪕🪕 → 😿 → 🐁 → 🪵🛢️, but you can craft your own supply chain by following the (un)made object guidelines, the subject of PhD research by Japanese artist Inari Wishiki. The concept of an (un)made object, a technically non-produced item, is rooted in the Japanese saying “Off-the-shelf Mochi”—a moment too good to be true like a mochi rolling off a shelf and landing directly in your mouth as you walk by. At the post-capitalist gym, you can train your sense of premonition by literally following "Off-the-shelf Mochi" with a specially designed contingent momentum training machine. By 2030, you will no longer be able to rely on smartphones but rather on your own intuitions! DISCONNECT YOUR NETWORK DESIRES now and prepare for the future.

(UN)MAKING IT HAPPEN – Exhibition + Concept Store

Datum:
Locatie: 38CC
In samenwerking met: 38CC

An energy drink made from Japanese knotweed, a smartphone destroyer, and a car made of willow branches—all of it can be seen in the exhibition (un)making it happen.
Through projects by a selection of international artists and designers, the exhibition invites visitors to reflect on the systems and objects around us. What do we value, and what do we consider worthless?
As part of the exhibition, the (un)making concept store opened in a retail space within walking distance of 38CC.

(un)maker Faire

Datum:
Locatie: TU Delft, Stadhuis Eindhoven
In samenwerking met: TU Delft Science Centre, Maker Faire Delft, Maker Faire Eindhoven

(un)maker Faire is a new vending practice that stemmed from Maker Faire, a DIY making culture originated by Make Magazine in the US. While they celebrated the power of creativity in amateur people at Maker Faire, (un)maker Faire disseminated the creative avoidance of production. Critical Making was a movement that came between the Maker movement and unmaking, eventually paving the way for (un)making practices.

https://irational.org/inari/unmakerfaire/

MSR = HAAG SAEZ (Minamisanriku = Hague Special Art Experiment Zone)

Datum:
Locatie: Virtual
In samenwerking met: Embassy of the Kingdom of the Netherlands, V2_ Lab for the Unstable Media, Minamisanriku Learning Center

MSR = HAAG SAEZ is an ethereal territory conceived precisely due to the COVID-19 pandemic. In a world where intercontinental travel has been restricted (now with new reasons), a way to carry on and even go beyond the current paradigm of internationality is sought after. In 2021, two artists Aydee Derix and Piet Verkleij took up summer-autumn residencies in MSR=HAAG SAEZ to produce a new kind of travel experience. It resulted in a PACKAGE (or a kit) with a QR CODE attached to it.

https://irational.org/inari/msr-haag/

Single Container Transport (SCT) - ACT1: Panjancontainer - A Manual Last-Mile Delivery

Datum:
Locatie: The Green Village
In samenwerking met: TU Delft, K-tainer, Buitink Technology, haacon, Klomp and Gijzen
http://irational.org/inari/act1
Deze kunstenaar heeft nog geen toekenningen.