Rowan van As

urban, tekenen, sculptuur, publieke ruimte, printen (2D), performance, Lichaam, DIY, collage, beeldhouwen, Autobiografisch, Audiovisueel, Archieven

Opmerking
Mocht het portfolio of CV niet in goede kwaliteit te downloaden zijn via dit formulier, dan zijn beide documenten ook beschikbaar als PDF via mijn INFO-pagina op www.rowanvanas.nl

Rowan van As (1991, Goes, NL) is a visual artist based in Rotterdam. He studied at the Willem de Kooning Academy (2010–2014) and earned his MFA at St. Lucas in Antwerp (2015–2016).

My works emerge from a performative impulse, using real life as source material. I treat the city as a container where images, objects, symbols, trash, art, and functional things merge into our cultural heritage. From these fragments, I create layered works that ask: What if this thing could be that? In doing so, I elevate the discarded and transform it into surreal, icon-like pieces.

For example, I once found a worn 1990s recliner whose decaying base squealed like screaming seagulls. This triggered a performative process, painting a childhood beach memory and linking it to the chair in a playful audiovisual assemblage.

My most ambitious work to date is a functioning reinterpretation of a classic yellow cab. I plan to bring it to New York, placing it in dialogue with the city that inspired it, and documenting the journey along the way. The idea came after watching Taxi driver, later i wanted to make it for real, to really hit the nightly streets with my own built cab.

Recurring themes in my work revolve around the relative powerlessness of the individual: What can an ordinary city dweller truly change? I seek a poetic language to make that tension visible, sometimes playful, sometimes confrontational, always open to dialogue.

Recent exhibitions include Arti et Amicitiae (Amsterdam), Statens Museum for Kunst (Copenhagen), Extrapool (Nijmegen), HOK Gallery (The Hague), SIGN (Groningen), and Brutus (Rotterdam). My work is held in private collections.
contact:
+31636305227
rowanvanas.nl
asvanas@gmail.com

taxi
NY Taxi - (2021–ongoing) Steel, aluminum, car parts (500 × 190 × 160 cm) A functional selfbuilt taxi-sculpture activated through street performances, blurring the line between vehicle, stage, and public intervention.
Taxi at groupshow Petromelancholia, Brutus, Rotterdam, NL, 2023
Taxi at groupshow Petromelancholia - (2023) NY Taxi – Brutus Performance. Steel, aluminum, car parts, drums. 500 × 190 × 160 cm. Performance inside the Brutus exhibition space, Rotterdam. The industrial doors opened at the end of the set, echoing the work’s symbolic departure, a selfbuilt taxi ready to leave for New York.
east village view fruit exchange
East village view fruit exchange - (2017) Multimedia installation/performance. Wood, acrylic paint, television featuring a video by Phil Niblock, The New York Times, real fruits and vegetables (400 × 250 × 100 cm) Installation and live exchange based on a found image of a New York deli in the garden of AIR Antwerp.
mosselpiano
Mosselpiano - (2015) Foam, wood, resin, piano keyboard, performance (150 × 100 × 70 cm) Street performance in Antwerp, merging a piano into a mussel shell hybrid. Video: https://www.youtube.com/watch?v=q3gbFSzHRGg
Dizzy’s trumpet - (2022) Dizzy’s Trumpet. Foam, PVC, covered with tin from deep-fat fryer and wok oil cans. (250 × 230 × 70 cm) A sculptural interpretation of jazz legend Dizzy Gillespie’s bent trumpet, large-scale imitated with foam, PVC and covered with tin of deep-fat fryer and wok oil cans that can be found here and there on the street. This makes it an ode to multicultural Rotterdam, and an icon from music history. Photos: Florian Cramer
schreeuwende meeuwen
Screaming seagulls - (2013) Found objects, recliner chair, acrylic on wood panel (200 × 120 × 60 cm) A worn 1990s recliner with a decaying base that screeched like seagulls inspired a painted childhood beach memory, linked to the chair in a playful audiovisual assemblage
the revolution will be live
The revolution will be live - (2025) Graphite stick on refrigerator door (80 × 50 cm) The title references Gil Scott-Heron’s poem/song and echoes Nam June Paik’s media sculptures, translating it into a graphite drawing on a refrigerator door."
Small Talk at the Kruiskade (A Costume is Music)
Small Talk at the Kruiskade (A Costume is Music) - (2024) Site-specific walking performance, fashion design, custom full-color print on fabric (170 × 70 × 70 cm) A site-specific outdoor fashion streetparade relocating the title of Gil Scott-Heron’s Small Talk at 125th and Lenox to Rotterdam’s Kruiskade, a neighborhood with comparable cultural energy. The self-made SPAM costume references soul food, Monty Python absurdity, and the digital spam box
de kleine aarde
De kleine Aarde - (2025) Foam, tape, oil paint, wire steel, globe, wood (50 × 70 × 30 cm) A poetic improvisation: a black crow and a white gull stand across from each other, joined only by a small globe. An intuitive composition where meaning emerges in the space between.
Prins Gold, West-Kruiskade - (2024) Prins Gold Jewelry. Graphite stick on refrigerator door. (200 × 100 cm) Graphite drawing on salvaged refrigeratordoor, observation of a city facade at the Kruiskade district in Rotterdam.

New York Taxi

Datum:

NEW YORK TAXI (2021–ongoing)

Steel, aluminum, car parts, 500 × 190 × 160 cm

From Rotterdam to New York: Rowan van As has built a fully functional replica
of a 1960–90s New York taxi from steel and aluminum. The plan is to take it
across the Atlantic as a moving stage for stories and music, leading to a film
inspired by Space is the Place, Taxi Driver, and Night on Earth.

https://rowanvanas.nl/taxi/

Sunny Side up artist run music space

Datum:
Locatie: Keileweg 26

I initiated the artist run space Sunny side up in the spring of 2017. I organised music shows with among others, Lukas Simonis, Moor Mother, Goodiepal and Pals, Dj Urine and Anna Mikhailova, The Postpeople, and Bomp Treb (Neil Young Cloaca)

https://rowanvanas.nl/sunny-side-up/

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